You, that can haply mixe your joyes with cries,
And weave white Ios with black Elegies,
Can caroll out a dirge, and in one breath
Sing to the tune either of life, or death;
You, that can weepe the gladnesse of the spheres,
And pen a hymne, in stead of inke, with teares;
Here, here your unproportion'd wit let fall,
To celebrate this new-borne funerall,
And greete that little greatnesse, which from th' wombe
Dropt both a load to th' cradle and the tombe.

Bright soule! teach us, to warble with what feet

Hither with hallowed steps as is the ground,
That must enshrine this saint with lookes profound,
And sad aspects as the dark vails you weare,
Virgins opprest, draw gently, gently neare;
Enter the dismall chancell of this rooome,
Where each pale guest stands fixt a living tombe;
With trembling hands helpe to remove this earth
To its last death and first victorious birth:
Let gums and incense fume, who are at strife
To enter th' hearse and breath in it new life;
Mingle your steppes with flowers as you goe,

O dear sweet rosy
unattainable desire
...how sad, no way
to change the mad
cultivated asphodel, the
visible reality...

and skin's appalling
petals--how inspired
to be so Iying in the living
room drunk naked
and dreaming, in the absence
of electricity...
over and over eating the low root
of the asphodel,
gray fate...

rolling in generation
on the flowery couch
as on a bank in Arden--
my only rose tonite's the treat
of my own nudity.

You can sigh o'er the sad-eyed Armenian
Who weeps in her desolate home.
You can mourn o'er the exile of Russia
From kindred and friends doomed to roam.

You can pity the men who have woven
From passion and appetite chains
To coil with a terrible tension
Around their heartstrings and brains.

You can sorrow o'er little children
Disinherited from their birth,
The wee waifs and toddlers neglected,
Robbed of sunshine, music and mirth.

For beasts you have gentle compassion;
Your mercy and pity they share.

Sometimes I dip my pen and find the bottle full of fire,
The salamanders flying forth I cannot but admire.
It's Etna, or Vesuvius, if those big things were small,
And then 'tis but itself again, and does not smoke at all.
And so my blood grows cold. I say, "The bottle held but ink,
And, if you thought it otherwise, the worser for your think."
And then, just as I throw my scribbled paper on the floor,
The bottle says, "Fe, fi, fo, fum," and steams and shouts some more.
O sad deceiving ink, as bad as liquor in its way—

Well, I've waited mighty patient while they all came rolling in,
Mister Lawson, Mister Dyson, and the others of their kin,
With their dreadful, dismal stories of the Overlander's camp,
How his fire is always smoky, and his boots are always damp;
And they paint it so terrific it would fill one's soul with gloom --
But you know they're fond of writing about "corpses" and "the tomb".
So, before they curse the bushland, they should let their fancy range,
And take something for their livers, and be cheerful for a change.

Is it to me this sad lamenting strain?
Are Heaven's choicest gifts bestow'd in vain?
A plenteous fortune and a beauteous bride,
Your love rewarded, and content your pride;
Yet, leaving her, 'tis me that you pursue,
Without one single charm -- but being new.
How vile is man! How I detest the ways
Of covert falsehood and designing praise!
As tasteless, easier happiness you slight,
Ruin your joy, and mischief your delight.
Why should poor pug (the mimic of your kind)
Wear a rough chain, and be to box confin'd?

Immortal! William Shakespeare, there's none can you excel,
You have drawn out your characters remarkably well,
Which is delightful for to see enacted upon the stage
For instance, the love-sick Romeo, or Othello, in a rage;
His writings are a treasure, which the world cannot repay,
He was the greatest poet of the past or of the present day
Also the greatest dramatist, and is worthy of the name,
I'm afraid the world shall never look upon his like again.
His tragedy of Hamlet is moral and sublime,
And for purity of langucge, nothing can be more fine

You see that sheaf of slender books
Upon the topmost shelf,
At which no browser ever looks,
Because they're by . . . myself;
They're neatly bound in navy blue,
But no one ever heeds;
Their print is clear and candid too,
Yet no one ever reads.
II
Poor wistful books! How much they cost
To me in time and gold!
I count them now as labour lost,
For none I ever sold;
No copy could I give away,
For all my friends would shrink,
And look at me as if to say:
"What waste of printer's ink!"
III
And as I gaze at them on high,

Once, when I wandered in the woods alone,
An old man tottered up to me and said,
“Come, friend, and see the grave that I have made
For Amaryllis.” There was in the tone
Of his complaint such quaver and such moan
That I took pity on him and obeyed,
And long stood looking where his hands had laid
An ancient woman, shrunk to skin and bone.

Far out beyond the forest I could hear
The calling of loud progress, and the bold
Incessant scream of commerce ringing clear;
But though the trumpets of the world were glad,