sad

Thee, Queen of Shadows! -- shall I still invoke,
Still love the scenes thy sportive pencil drew,
When on mine eyes the early radiance broke
Which shew'd the beauteous rather than the true!
Alas! long since those glowing tints are dead,
And now 'tis thine in darkest hues to dress
The spot where pale Experience hangs her head
O'er the sad grave of murder'd Happiness!
Thro' thy false medium, then, no longer view'd,
May fancied pain and fancied pleasure fly,
And I, as from me all thy dreams depart,

Muses, which sadly sit about my chair,
Drown'd in the tears extorted by my lines,
With heavy sighs whilst thus I break the air,
Painting my passions in these sad designs,
Since she disdains to bless my happy verse,
The strong-built trophies to her living fame,
Ever henceforth my bosom be your hearse,
Wherein the world shall now entomb her name.
Enclose my music, you poor senseless walls,
Since she is deaf and will not hear my moans,
Soften yourselves with every tear that falls,

To the Lady Margaret Ley

Daughter to that good Earl, once President
Of England's Council, and her Treasury,
Who lived in both, unstained with gold or fee,
And left them both, more in himself content,
Till sad the breaking of that Parliament
Broke him, as that dishonest victory
At Chaeronea, fatal to liberty,
Killed with report that old man eloquent.
Though later born than to have known the days
Wherein your father flourished, yet by you,
Madam, methinks I see him living yet;

'Tis hard to love not, whilst to love
Be sad joy, if by lust misled,
Thoughts too sweetly gaze on things
That perforce must change and decay.

Who's the man could savour his fill
Of gold, fame, sceptre, delights, false
Count'nance fair, that a heart he'd
Have sated and all cares might allay?

Love's surely our being's just course,
Aye, but 'tis flesh, from matter wrought,
Praising what knows like inception,
Guiles the soul, for which all's little

If Thee, Beauty real and e'erlasting,

[Written under a tree in the woods of St. Amand, in Flanders.]


SWEET BALMY HOUR! ­dear to the pensive mind,
Oft have I watch'd thy dark and weeping shade,
Oft have I hail'd thee in the dewy glade,
And drop'd a tear of SYMPATHY refin'd.

When humming bees, hid in their golden bow'rs,
Sip the pure nectar of MAY'S blushing rose,
Or faint with noon-day toils, their limbs repose,
In Baths of Essence stol'n from sunny flow'rs.

Oft do I seek thy shade dear with'ring tree,

XXX

I see thine image through my tears to-night,
And yet to-day I saw thee smiling. How
Refer the cause?—Beloved, is it thou
Or I, who makes me sad? The acolyte
Amid the chanted joy and thankful rite
May so fall flat, with pale insensate brow,
On the altar-stair. I hear thy voice and vow,
Perplexed, uncertain, since thou art out of sight,
As he, in his swooning ears, the choir's Amen.
Beloved, dost thou love? or did I see all
The glory as I dreamed, and fainted when
Too vehement light dilated my ideal,

XV

Accuse me not, beseech thee, that I wear
Too calm and sad a face in front of thine;
For we two look two ways, and cannot shine
With the same sunlight on our brow and hair.
On me thou lookest with no doubting care,
As on a bee shut in a crystalline;
Since sorrow hath shut me safe in love's divine,
And to spread wing and fly in the outer air
Were most impossible failure, if I strove
To fail so. But I look on thee—on thee—
Beholding, besides love, the end of love,
Hearing oblivion beyond memory;

Nay, Lord, not thus! white lilies in the spring,
Sad olive-groves, or silver-breasted dove,
Teach me more clearly of Thy life and love
Than terrors of red flame and thundering.
The hillside vines dear memories of Thee bring:
A bird at evening flying to its nest
Tells me of One who had no place of rest:
I think it is of Thee the sparrows sing.
Come rather on some autumn afternoon,
When red and brown are burnished on the leaves,
And the fields echo to the gleaner's song,
Come when the splendid fulness of the moon

With how sad steps, O moon, thou climb'st the skies!
How silently, and with how wan a face!
What! may it be that even in heavenly place
That busy archer his sharp arrows tries?
Sure, if that long-with-love-acquainted eyes
Can judge of love, thou feel'st a lover's case:
I read it in thy looks; thy languished grace
To me, that feel the like, thy state descries.
Then, even of fellowship, O Moon, tell me,
Is constant love deemed there but want of wit?
Are beauties there as proud as here they be?

XVII

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?