Read by the poet at The Public Ceremonial of The Naional Institute
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.

Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—

Art thou a woman? -- so am I; and all
That woman can be, I have been, or am;
A daughter, sister, consort, mother, widow.
Whiche'er of these thou art, O be the friend
Of one who is what thou canst never be!
Look on thyself, thy kindred, home, and country,
Then fall upon thy knees, and cry "Thank GOD,
An English woman cannot be a SLAVE!"

Art thou a man? -- Oh! I have known, have loved,
And lost, all that to woman man can be;
A father, brother, husband, son, who shared
My bliss in freedom, and my woe in bondage.

For thirty years secluded from mankind,
Here Marten linger'd. Often have these walls
Echoed his footsteps, as with even tread
He paced around his prison: not to him
Did Nature's fair varieties exist;
He never saw the Sun's delightful beams,
Save when thro' yon high bars it pour'd a sad
And broken splendor. Dost thou ask his crime?
He had rebell'd against the King, and sat
In judgment on him; for his ardent mind
Shaped goodliest plans of happiness on earth,
And peace and liberty. Wild dreams! But such
As PLATO lov'd; such as with holy zeal

In my one love are many loves entwined;
Each hour makes me unfaithful to the last;
The beauty present dims the beauty past;
Of her worst rivals is her self combined.
When she is pale, in her dear cheek I find
The fairest shade on earth was ever cast;
And if she blush, that hue is not surpassed
In roses ruffled by the wanton wind.
Sometimes her sweet lips droop to a purpose sad;
Then all my soul in loving sympathy
Burns to dispel her sadness with a kiss;
And when they flash and curve in laughter glad,

Somewhere in Forster—was it Aspects of the Novel?—
there's something to the effect of,
How can I tell what I think till I see what I say?
I've always meant to check the quote, but I'm half afraid
it won't be there, or if it is, that I got it all wrong,
and I pretty much like it the way it is—
I pull it out and toss it onto the table like one of those
really brightly colored chips that only get thrown into the pot
after the hand has gotten out of control and someone wants
to say something a bit more heady than, I'll see you,

And if my heart be scarred and burned,
The safer, I, for all I learned;
The calmer, I, to see it true
That ways of love are never new-
The love that sets you daft and dazed
Is every love that ever blazed;
The happier, I, to fathom this:
A kiss is every other kiss.
The reckless vow, the lovely name,
When Helen walked, were spoke the same;
The weighted breast, the grinding woe,
When Phaon fled, were ever so.
Oh, it is sure as it is sad
That any lad is every lad,
And what's a girl, to dare implore
Her dear be hers forevermore?

Just for a space I met her –
Just for a day in the train!
It began when she feared it would wet her,
That tiniest spurtle of rain:
So we tucked a great rug in the sashes,
And carefully padded the pane;
And I sorrow in sackcloth and ashes,
Longing to do it again!

Then it grew when she begged me to reach her
A dressing-case under the seat;
She was “really so tiny a creature,
That she needed a stool for her feet.! ”
Which was promptly arranged to her order
With a care that was even minute,

Despair is in the suns that shine,
And in the rains that fall,
This sad forsaken soul of mine
Is weary of them all.

They fall and shine on alien streets
From those I love and know.
I cannot hear amid the heats
The North Sea's freshening flow

The people hurry up and down,
Like ghosts that cannot lie;
And wandering through the phantom town
The weariest ghost am I.

'Ceste insignefable et tragicque comedie' RABELMS.

I

The sun was down, and twilight grey
Filled half the air; but in the room,
Whose curtain had been drawn all day,
The twilight was a dusky gloom:
Which seemed at first as still as death,
And void; but was indeed all rife
With subtle thrills, the pulse and breath
Of multitudinous lower life.

II
In their abrupt and headlong way
Bewildered flies for light had dashed
Against the curtain all the day,
And now slept wintrily abashed;
And nimble mice slept, wearied out

Here, where the noises of the busy town,
The ocean's plunge and roar can enter not,
We stand and gaze around with tearful awe,
And muse upon the consecrated spot.

No signs of life are here: the very prayers
Inscribed around are in a language dead;
The light of the "perpetual lamp" is spent
That an undying radiance was to shed.

What prayers were in this temple offered up,
Wrung from sad hearts that knew no joy on earth,
By these lone exiles of a thousand years,
From the fair sunrise land that gave them birth!