January Jumps About

January jumps about
in the frying pan
trying to heat
his frozen feet
like a Canadian.

February scuttles under
any dish's lid
and she thinks she's dry because she's
thoroughly well hid
but it still rains all month long
and it always did.

March sits in the bath tub
with the taps turned on.
Hot and cold, cold or not,
Has the Winter gone?
In like a lion, out like a lamb
March on, march on, march on.

April slips about
sometimes indoors
and sometimes out


It's Great When You Get In

They told me the water was lovely,
That I ought to go for a swim,
The air was maybe a trifle cool,
"You won't mind it when you get in"
So I journeyed cheerfully beach-ward,
And nobody put me wise,
But everyone boosted my courage
With an earful of jovial lies.

The Sound looked cold and clammy,
The water seemed chilly and gray,
But I hastened into my bathing suit
And floundered into the spray.
Believe me, the moment I touched it
I realized then and there,
That the fretful sea was not meant for me


In the shadows

I am sailing to the leeward,
Where the current runs to seaward
Soft and slow,
Where the sleeping river grasses
Brush my paddle as it passes
To and fro.

On the shore the heat is shaking
All the golden sands awaking
In the cove;
And the quaint sand-piper, winging
O'er the shallows, ceases singing
When I move.

On the water's idle pillow
Sleeps the overhanging willow,
Green and cool;
Where the rushes lift their burnished


In the Days of the Golden Rod

Across the meadow in brooding shadow
I walk to drink of the autumn's wine­
The charm of story, the artist's glory,
To-day on these silvering hills is mine;
On height, in hollow, where'er I follow,
By mellow hillside and searing sod,
Its plumes uplifting, in light winds drifting,
I see the glimmer of golden-rod.

In this latest comer the vanished summer
Has left its sunshine the world to cheer,
And bids us remember in late September
What beauty mates with the passing year.


In September

SPRING scarce had greener fields to show than these
Of mid September; through the still warm noon
The rivulets ripple forth a gladder tune
Than ever in the summer; from the trees
Dusk-green, and murmuring inward melodies,
No leaf drops yet; only our evenings swoon
In pallid skies more suddenly, and the moon
Finds motionless white mists out on the leas.
Dear chance it were in some rough wood-god's lair
A month hence, gazing on the last bright field,
To sink o'er-drowsed, and dream that wild-flowers blew


In France

The poplars in the fields of France
Are golden ladies come to dance;
But yet to see them there is none
But I and the September sun.

The girl who in their shadow sits
Can only see the sock she knits;
Her dog is watching all the day
That not a cow shall go astray.

The leisurely contented cows
Can only see the earth they browse;
Their piebald bodies through the grass
With busy, munching noses pass.

Alone the sun and I behold
Processions crowned with shining gold --


In Ampezzo

Only once more and not again--the larches
Shake to the wind their echo, "Not again,"--
We see, below the sky that over-arches
Heavy and blue, the plain

Between Tofana lying and Cristallo
In meadowy earths above the ringing stream:
Whence interchangeably desire may follow,
Hesitant as in dream,

At sunset, south, by lilac promontories
Under green skies ato Italy, or forth
By calms of morning beyond Lavinores
Tyrolward and to north:

As now, this last of latter days, when over


In a City Garden

How strange that here is nothing as it was!
The sward is young and new,
The sod there shapes a different mass,
The random trees stand other than I knew.
No, here the Past has left no residue,
No aftermath!
By a new path
The workmen homeward in the city twilight pass.

Yet was this willow here.
It hung as now its olive skeins aloft
Into the sky, then blue and clear,--
And yonder pair of poplar trees

Rose also, soft
And sibilant in the glory of the breeze.


Hydrangeas

Dragoons, I tell you the white hydrangeas turn rust and go soon.
Already mid September a line of brown runs over them.
One sunset after another tracks the faces, the petals.
Waiting, they look over the fence for what way they go.


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