silence

"This bunch of violets," he said,
"Is for my daughter dear.
Since that glad morn when she was wed
It is today a year.
She lives atop this flight of stairs--
Please give an arm to me:
If we can take her unawares
How glad she'll be!"

We climbed the stairs; the flight was four,
Our steps were stiff and slow;
But as he reached his daughter's door
His eyes were all aglow.
Joylike he raised his hand to knock,
Then sore distressed was I,

Within the great grey flapping tent
The damp crowd stood or stamped about;
And some came in, and some went out
To drink the moist November air;
None fainted, though a few looked spent
And eyed some empty unbought chair.
It was getting on. And all had meant
Not to go home with empty hands
But full of gain, at little cost,
Of mirror, vase, or vinaigrette.
Yet often, after certain sales,
Some looked relieved that they had lost,
Others, at having won, upset.
Two men from London sat apart,

Hear I the creaking gate unclose?
The gleaming latch uplifted?
No--'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.

'Twas in the year of 1874, and on New Year's Day,
The British Army landed at Elmina without dismay,
And numbering in all, 1400 bayonets strong,
And all along the Cape Coast they fearlessly marched along,
Under the command of Sir Garnet Wolseley, a hero bold,
And an honour to his King and country, be it told.
And between them and Coomassie, lay a wilderness of jungle,
But they marched on boldly without making a stumble,
And under a tropical sun, upwards of an hundred miles,

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,

Oh the airman's game is a showman's game, for we all of us watch him go
With his roaring soaring aeroplane and his bombs for the blokes below,
Over the railways and over the dumps, over the Hun and the Turk,
You'll hear him mutter, "What ho, she bumps," when the Archies get to work.
But not of him is the song I sing, though he follow the eagle's flight,
And with shrapnel holes in his splintered wing comes home to his roost at night.
He may silver his wings on the shining stars, he may look from the throne on high,

They weave a slow andante as in sleep,
Scaled yellow, swampy black, plague-spotted white;
With blue and lidless eyes at watch they keep
A treachery of silence; infinite

Ancestral angers brood in these dull eyes
Where the long-lineaged venom of the snake
Meditates evil; woven intricacies
Of Oriental arabesque awake,

Unfold, expand, contract, and raise and sway
Swoln heart-shaped heads, flattened as by a heel,
Erect to suck the sunlight from the day,
And stealthily and gradually reveal

Firm trust of the bold sailor on the shores of sudden storm,
What strength is in its structure and the fitness of its form!
Old ocean’s bed-rock gripping, with the hurricane’s tug ’twill cope,
And therefore ’tis the emblem held of man’s eternal hope.
Through the billows ceaseless raging, by the bleak and stormy steep,
Like a thunderbolt down-rushing it is shot into the deep;
Down where some mute sea-monster its so hideous bulk uprears,
And mightiest silence drowned hath lain for many a thousand years.

DAN CUPID, though the god of soft amour,
In ev'ry age works miracles a store;
Can Catos change to male coquets at ease;
And fools make oracles whene'er he please;
Turn wolves to sheep, and ev'ry thing so well,
That naught remains the former shape to tell:
Remember, Hercules, with wond'rous pow'r,
And Polyphemus, who would men devour:
The one upon a rock himself would fling,
And to the winds his am'rous ditties sing;
To cut his beard a nymph could him inspire;
And, in the water, he'd his face admire.

My window shews the travelling clouds,
Leaves spent, new seasons, alter'd sky,
The making and the melting crowds:
The whole world passes; I stand by.

They do not waste their meted hours,
But men and masters plan and build:
I see the crowning of their towers,
And happy promises fulfill'd.

And I - perhaps if my intent
Could count on prediluvian age,
The labours I should then have spent
Might so attain their heritage,

But now before the pot can glow
With not to be discover'd gold,