silence

Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.

Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.

Said the Glass: "Then she gazed

Now listen to me and I'll tell you my views concerning the African war,
And the man who upholds any different views, the same is a ritten Pro-Boer!
(Though I'm getting a little bit doubtful myself, as it drags on week after week:
But it's better not ask any questions at all -- let us silence all doubts with a shriek!)
And first let us shriek the unstinted abuse that the Tory Press prefer --
De Wet is a madman, and Steyn is a liar, and Kruger a pitiful cur!

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,

Not Iris in her pride and bravery
Adorns her arch with such variety;
Nor doth the Milk-white Way in frosty night
Appear so fair and beautiful in sight,
As do these fields and groves and sweetest bowers
Bestrewed and decked with parti-coloured flowers.
Along the bubbling brooks and silver glide,
That at the bottom doth in silence slide,
The water-flowers and lilies on the banks
Like blazing comets burgeon all in ranks;
Under the hawthorn and the poplar tree,
Where sacred Phoebe may delight to be,

He said no word of her to us
Nor we of her to him,
But oh it saddened us to see
How wan he grew and thin.
We said: she eats him day and night
And draws the blood from him,
We did not know but said we thought
This was why he grew thin.

One day we called and rang the bell,
No answer came within,
We said: She must have took him off
To the forest old and grim,
It has fell out, we said, that she
Eats him in forest grim,
And how can we help him being eaten
Up in forests grim?

I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:

I asked the heaven of stars
What I should I give my love--
It answered me with silence,
Silence above.

I asked the darkened sea
Down where the fishermen go--
It answered me with silence,
Silence below.

Oh, I could give him weeping,
Or I could give him song--
But how can I give silence
My whole life long?

Darkness like midnight from the sobbing woods
Clamours with dismal tidings of the rain
Roaring as rivers breaking loose in floods
To spread and foam and deluge all the plain
The cotter listens at his door again
Half doubting whether it be floods or wind
And through the thickening darkness looks affraid
Thinking of roads that travel has to find
Through night's black depths in danger's garb arrayed
And the loud glabber round the flaze soon stops
When hushed to silence by a lifted hand

I have fled from all, and none can now

My way, my wanderings see;

The waters widely round me flow—

I feel that I am free!


Oh! who can wish for sunny day,
When they may look on that lovely ray—
On the moon so pure, so clear, and fair,
When no human form is nigh,
When no human voice can startle the air?
All is silence and secrecy.

No sound but the waters, that, murmuring, move—
No light but the shadowless orb above.
But see! the shadows are gathering fast—

Climb, claim your shelf-room, far
Packed from inquisitive moon
And cold contagious stars.

Lean out, but look no longer,
No further, than to stir
Night with extended finger.

Now fill the box with light,
Flood full the shining block,
Masonry against night.

Let window, curtain, blind
Soft-sieve and sift and shred
The impertinence of sound.

Now draw the silence up,
A blanket round your ears;
Lay darkness close and sure,
Inverted cup to cup
On your acquiescent eyes: