The Maple

is a system of posture for wood.
A way of not falling down
for twigs that happens
to benefit birds. I don't know.
I'm staring at a tree,
at yellow leaves
threshed by wind and want you
reading this to be staring
at the same tree. I could
cut it down and laminate it
or ask you to live with me
on the stairs with the window
keeping an eye on the maple
but I think your real life
would miss you. The story
here is that all morning
I've thought of the statement


The Man-moth

        & nbsp; Here, above,
cracks in the buldings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to records in thermometers.

    &nbs p;     But when the Man-Moth


The Man from Snowy River

There was movement at the station, for the word had passed around
That the colt from old Regret had got away,
And had joined the wild bush horses - he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stock-horse snuffs the battle with delight.

There was Harrison, who made his pile when Pardon won the cup,


The Man from Goondiwindi, Q

I

This is the sunburnt bushman who
Came down from Goondiwindi, Q.

II

This is the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.

III

These are the wealthy uncles -- two,
Part of the Push from Waterloo
That spotted the sunburnt bushman who
Came down from Goondiwindi, Q.

IV

This is the game, by no means new,
Played by the wealthy uncles -- two,
Part of the Push from Waterloo


The Man Against the Sky

Between me and the sunset, like a dome
Against the glory of a world on fire,
Now burned a sudden hill,
Bleak, round, and high, by flame-lit height made higher,
With nothing on it for the flame to kill
Save one who moved and was alone up there
To loom before the chaos and the glare
As if he were the last god going home
Unto his last desire.

Dark, marvelous, and inscrutable he moved on
Till down the fiery distance he was gone,
Like one of those eternal, remote things


The Makers

Who can remember back to the first poets,
The greatest ones, greater even than Orpheus?
No one has remembered that far back
Or now considers, among the artifacts,
And bones and cantilevered inference
The past is made of, those first and greatest poets,
So lofty and disdainful of renown
They left us not a name to know them by.

They were the ones that in whatever tongue
Worded the world, that were the first to say
Star, water, stone, that said the visible
And made it bring invisibles to view


The Maid Of The Mill's Repentance

YOUTH.

AWAY, thou swarthy witch! Go forth

From out my house, I tell thee!
Or else I needs must, in my wrath,

Expel thee!
What's this thou singest so falsely, forsooth,
Of love and a maiden's silent truth?

Who'll trust to such a story!

GIPSY.

I sing of a maid's repentant fears,

And long and bitter yearning;
Her levity's changed to truth and tears

All-burning.
She dreads no more the threats of her mother,
She dreads far less the blows of her brother,


The Lover in Hell

Eternally the choking steam goes up
From the black pools of seething oil. . . .
How merry
Those little devils are! They've stolen the pitchfork
From Bel, there, as he slept . . . Look! -- oh look, look!
They've got at Nero! Oh it isn't fair!
Lord, how he squeals! Stop it . . . it's, well -- indecent!
But funny! . . . See, Bel's waked. They'll catch it now!

. . . Eternally that stifling reek arises,
Blotting the dome with smoky, terrible towers,
Black, strangling trees, whispering obscene things


The Line-Gang

Here come the line-gang pioneering by,
They throw a forest down less cut than broken.
They plant dead trees for living, and the dead
They string together with a living thread.
They string an instrument against the sky
Wherein words whether beaten out or spoken
Will run as hushed as when they were a thought
But in no hush they string it: they go past
With shouts afar to pull the cable taught,
To hold it hard until they make it fast,
To ease away -- they have it. With a laugh,
An oath of towns that set the wild at naught


The Lily Bed

His cedar paddle, scented, red,
He thrust down through the lily bed;

Cloaked in a golden pause he lay,
Locked in the arms of the placid bay.

Trembled alone his bark canoe
As shocks of bursting lilies flew

Thro' the still crystal of the tide,
And smote the frail boat's birchen side;

Or, when beside the sedges thin
Rose the sharp silver of a fin;

Or when, a wizard swift and cold,
A dragon-fly beat on in gold

And jewels all the widening rings


Pages

Subscribe to RSS - sky