smart

Over vale and torrent far
Rolls along the sun's bright car.
Ah! he wakens in his course

Mine, as thy deep-seated smart

In the heart.
Ev'ry morning with new force.

Scarce avails night aught to me;
E'en the visions that I see
Come but in a mournful guise;

And I feel this silent smart

In my heart
With creative pow'r arise.

During many a beauteous year
I have seen ships 'neath me steer,
As they seek the shelt'ring bay;

But, alas, each lasting smart

In my heart

Dark horror, hear my call!
Stern Genius hear from thy retreat
On some old sepulchre's moss-cankered seat,
Beneath the Abbey's ivied wall
That trembles o'er its shade;
Where wrapt in midnight gloom, alone,
Thou lovest to lie and hear
The roar of waters near,
And listen to the deep dull groan
Of some perturbed sprite
Borne fitful on the heavy gales of night.

Or whether o'er some wide waste hill
Thou mark'st the traveller stray,
Bewilder'd on his lonely way,
When, loud and keen and chill,

Mortal my mate, bearing my rock-a-heart
Warm beat with cold beat company, shall I
Earlier or you fail at our force, and lie
The ruins of, rifled, once a world of art?
The telling time our task is; time’s some part,
Not all, but we were framed to fail and die—
One spell and well that one. There, ah thereby
Is comfort’s carol of all or woe’s worst smart.

Field-flown, the departed day no morning brings
Saying ‘This was yours’ with her, but new one, worse,
And then that last and shortest…

'midst the noise of merriment and glee,

'Midst full many a sorrow, many a care,
Charlotte, I remember, we remember thee,

How, at evening's hour so fair,
Thou a kindly hand didst reach us,

When thou, in some happy place

Where more fair is Nature s face,

Many a lightly-hidden trace
Of a spirit loved didst teach us.

Well 'tis that thy worth I rightly knew,--

That I, in the hour when first we met,

While the first impression fill'd me yet,
Call'd thee then a girl both good and true.

CESARIO, thy Lyre's dulcet measure,
So sweetly, so tenderly flows;
That could my sad soul taste of pleasure,
Thy music would soften its woes.

But ah, gentle soother, where anguish
Takes root in the grief-stricken heart;
'Tis the triumph of sorrow to languish,
'Tis rapture to cherish the smart.

The mind where pale Mis'ry sits brooding,
Repels the soft touch of repose;
Shrinks back when blest Reason intruding,
The balm of mild comfort bestows.

There is luxury oft in declining,

208

The Rose did caper on her cheek—
Her Bodice rose and fell—
Her pretty speech—like drunken men—
Did stagger pitiful—

Her fingers fumbled at her work—
Her needle would not go—
What ailed so smart a little Maid—
It puzzled me to know—

Till opposite—I spied a cheek
That bore another Rose—
Just opposite—Another speech
That like the Drunkard goes—

A Vest that like her Bodice, danced—
To the immortal tune—
Till those two troubled—little Clocks

When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.

The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--

CARDELIA.

The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.


SMILINDA.

Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --


CARDELIA.

Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place

Cupid as he lay among
Roses, by a Bee was stung.
Whereupon in anger flying
To his Mother, said thus crying;
Help! O help! your Boy's a dying.
And why, my pretty Lad, said she?
Then blubbering, replyed he,
A winged Snake has bitten me,
Which Country people call a Bee.
At which she smil'd; then with her hairs
And kisses drying up his tears:
Alas! said she, my Wag! if this
Such a pernicious torment is:
Come, tel me then, how great's the smart
Of those, thou woundest with thy Dart!