I looked into my heart to write
And found a desert there.
But when I looked again I heard
Howling and proud in every word
The hyena despair.

Great summer sun, great summer sun,
All loss burns in trophies;
And in the cold sheet of the sky
Lifelong the fishlipped lovers lie
Kissing catastrophes.

O loving garden where I lay
When under the breasted tree
My son stood up behind my eyes
And groaned: Remember that the price
Is vinegar for me.

Great summer sun, great summer sun,
Turn back to the designer:

I knew that James Whistler was part of the Paris scene,
but I was still surprised when I found the painting
of his mother at the Musée d'Orsay
among all the colored dots and mobile brushstrokes
of the French Impressionists.

And I was surprised to notice
after a few minutes of benign staring,
how that woman, stark in profile
and fixed forever in her chair,
began to resemble my own ancient mother
who was now fixed forever in the stars, the air, the earth.

You can understand why he titled the painting
"Arrangement in Gray and Black"

In sealed box cars travel
names across the land,
and how far they will travel so,
and will they ever get out,
don't ask, I won't say, I don't know.

The name Nathan strikes fist against wall,
the name Isaac, demented, sings,
the name Sarah calls out for water for
the name Aaron that's dying of thirst.

Don't jump while it's moving, name David.
You're a name that dooms to defeat,
given to no one, and homeless,
too heavy to bear in this land.

Let your son have a Slavic name,
for here they count hairs on the head,

Star of my heart, I follow from afar.
Sweet Love on high, lead on where shepherds are,
Where Time is not, and only dreamers are.
Star from of old, the Magi-Kings are dead
And a foolish Saxon seeks the manger-bed.
O lead me to Jehovah's child
Across this dreamland lone and wild,
Then will I speak this prayer unsaid,
And kiss his little haloed head —
"My star and I, we love thee, little child."

Except the Christ be born again to-night
In dreams of all men, saints and sons of shame,

Is this the land our fathers loved,
The freedom which they toiled to win?
Is this the soil whereon they moved?
Are these the graves they slumber in?
Are we the sons by whom are borne
The mantles which the dead have worn?

And shall we crouch above these graves,
With craven soul and fettered lip?
Yoke in with marked and branded slaves,
And tremble at the driver's whip?
Bend to the earth our pliant knees,
And speak but as our masters please?

Shall outraged Nature cease to feel?
Shall Mercy's tears no longer flow?

Once there was a cabin here, and once there was a man;
And something happened here before my memory began.
Time has made the two of them the fuel of one flame
And all we have of them is now a legend and a name.

All I have to say is what an old man said to me,
And that would seem to be as much as there will ever be.
“Fifty years ago it was we found it where it sat.”—
And forty years ago it was old Archibald said that.

“An apple tree that’s yet alive saw something, I suppose,

As rays around the source of light
Stream upward ere he glow in sight,
And watching by his future flight
Set the clear heavens on fire;
So on the King of Martyrs wait
Three chosen bands, in royal state,
And all earth owns, of good and great,
Is gather'd in that choir.

One presses on, and welcomes death:
One calmly yields his willing breath,
Nor slow, nor hurrying, but in faith
Content to die or live:
And some, the darlings of their Lord,
Play smiling with the flame and sword,
And, ere they speak, to His sure word

Seest thou, how tearful and alone,
And drooping like a wounded dove,
The Cross in sight, but Jesus gone,
The widowed Church is fain to rove?

Who is at hand that loves the Lord?
Make haste, and take her home, and bring
Thine household choir, in true accord
Their soothing hymns for her to sing.

Soft on her fluttering heart shall breathe
The fragrance of that genial isle,
There she may weave her funeral wreath,
And to her own sad music smile.

The Spirit of the dying Son
Is there, and fills the holy place

I stand beneath the tree, whose branches shade
Thy western window, Chapel of St. John!
And hear its leaves repeat their benison
On him, whose hand thy stones memorial laid;
Then I remember one of whom was said
In the world's darkest hour, "Behold thy son!"
And see him living still, and wandering on
And waiting for the advent long delayed.
Not only tongues of the apostles teach
Lessons of love and light, but these expanding
And sheltering boughs with all their leaves implore,
And say in language clear as human speech,

"Lord, and what shall this man do?"
Ask'st thou, Christian, for thy friend?
If his love for Christ be true,
Christ hath told thee of his end:
This is he whom God approves,
This is he whom Jesus loves.

Ask not of him more than this,
Leave it in his Saviour's breast,
Whether, early called to bliss,
He in youth shall find his rest,
Or armed in his station wait
Till his Lord be at the gate:

Whether in his lonely course
(Lonely, not forlorn) he stay,
Or with Love's supporting force