song

There's a gypsy wind across the harvest land,
Let us fare forth with it lightly hand in hand;
Where cloud shadows blow across the sunwarm waste,
And the first red leaves are falling let us haste,
For the waning days are lavish of their stores,
And the joy of life is with us out o' doors!

Let us roam along the ways of golden rod
Over uplands where the spicy bracken nod,
Through the wildwood where the hemlock branches croon
Their rune-chant of elder days across the noon,
For the mellow air its pungency outpours,

There's a fellow on the station
(He dropped in on a call,
Just casual—to stay a pleasant week),
He’s a banker’s near relation,
Strongly built, and very tall,
Not altogether destitute of cheek;
He’s a descent judge of whisky,
And the hardest working youth
Who ever played a polo on a cob;
His anecdotes are risky,
And to tell the honest truth,
He’s waiting here until he gets a job.
He’s waiting, as I mention,
And whene’er he says his prayers,
Which he doesn’t do as frequently as some,

On a pebly shore, where forevermore
Gently creeps a music laden wave --
In the meadows green, which beyond are seen,
Camps a conq'ring army, true and brave.
Shining are the weapons of this martial throng --
Crimson died their banner, battleworn so long;
But now they cast them down, and each receives a crown,
Whey they chant their never ending song:

"Our Saviour and our King!
His victories shall ring!
His conquests thro' eternity shall sound!
(And war shall be no)
War (more) shall be no more --

MOTHER of God! no lady thou:
Common woman of common earth
Our Lady ladies call thee now,
But Christ was never of gentle birth;
A common man of the common earth.

For God’s ways are not as our ways:
The noblest lady in the land
Would have given up half her days,
Would have cut off her right hand,
To bear the child that was God of the land.

Never a lady did He choose,
Only a maid of low degree,
So humble she might not refuse
The carpenter of Galilee:
A daughter of the people, she.

A land there is, lying near far-northern snow,
Where only the fissures life's springtime may know.
But surging, the sea tells of great deeds done,
And loved is the land as a mother by son.

What time we were little and sat on her knee,
She gave us her saga with pictures to see.
We read till our eyes opened wide and moist,
While nodding and smiling she mute rejoiced.

We went to the fjord and in wonder beheld
The ashen-gray bauta, that record of eld;
Still older she stood and her silence kept,

One lovely name adorns my song,
And, dwelling in the heart,
Forever falters at the tongue,
And trembles to depart.

One of twain, twin-born with flowers that waken,
Now hath passed from sense of sun and rain:
Wind from off the flower-crowned branch hath shaken
One of twain.

One twin flower must pass, and one remain:
One, the word said soothly, shall be taken,
And another left: can death refrain?

Two years since was love's light song mistaken,
Blessing then both blossoms, half in vain?
Night outspeeding light hath overtaken
One of twain.


Night and light? O thou of heart unwary,

Full fifty merry maids I heard
One summer morn a-singing;
And each was like a joyous bird
With spring-clear not a-ringing.
It was an old-time soldier song
That held their happy voices:
Oh how it's good to swing along
When youth rejoices!

Then lo! I dreamed long years had gone,
They passed again ungladly.
Their backs were bent, their cheeks were wan,
Their eyes were staring sadly.
Their ranks were thinned by full a score

A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--

"We artists live ideally:

When I was ten (no, younger
than that), my mother tried
to kill herself (without the facts
there can't be faith). One death
or another every day, Tanqueray bottles
halo the bed and she won't wake up
all weekend. In the myth book's color
illustration, the poet turns around
inside the mouth of hell to look at her
losing him (because it's not her fault
they had to meet there): so he can keep her
somewhere safe, save her place
till she comes back. Some say
she stepped on an asp, a handful of pills