Merlin II

The rhyme of the poet
Modulates the king's affairs,
Balance-loving nature
Made all things in pairs.
To every foot its antipode,
Each color with its counter glowed,
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough,
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting balls and bars,


Merlin I

Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,


Miranda's Song

Ye elves! when spangled starlight gleams,
That flit beneath the ray,
Till morning darts her magic beams
And pale night hies away:
Ye know where springs each flow'ret rare,
The sweetest seek for me:
I'll weave a chaplet rich and fair—
My father! 'tis for thee!

The flow'rs, the trees, the birds appear
To wait but on my call;
But he whose power has plac'd them here
Is dearer far than all:
My thoughts with tender pleasure rest
On each delight I see;


Minstrel's Book - The Four Favours

THAT Arabs through the realms of space
May wander on, light-hearted,
Great Allah hath, to all their race,
Four favours meet imparted.
The turban first--that ornament
All regal crowns excelling;
A light and ever-shifting tent,
Wherein to make our dwelling;
A sword, which, more than rocks and walls
Doth shield us, brightly glistening;
A song that profits and enthrall,
For which the maids are list'ning!


Minstrel's Book - Talismans

God is of the east possess'd,
God is ruler of the west;
North and south alike, each land
Rests within His gentle hand.
-----
HE, the only righteous one,
Wills that right to each be done.
'Mongst His hundred titles, then,
Highest praised be this!--Amen.
-----
ERROR seeketh to deceive me,
Thou art able to retrieve me;
Both in action and in song
Keep my course from going wrong.


Minstrel's Book - Song And Structure

LET the Greek his plastic clay

Mould in human fashion,
While his own creation may

Wake his glowing passion;

But it is our joy to court

Great Euphrates' torrent,
Here and there at will to sport

In the Wat'ry current.

Quench'd I thus my spirit's flame,

Songs had soon resounded;
Water drawn by bards whose fame

Pure is, may be rounded.


Minstrel's Book - Discord

When by the brook his strain
Cupid is fluting,
And on the neighboring plain
Mayors disputing,
There turns the ear ere long,
Loving and tender,
Yet to the noise a song
Soon must surrender.
Loud then the flute-notes glad
Sound 'mid war's thunder;
If I grow raving mad,
Is it a wonder?
Flutes sing and trumpets bray,
Waxing yet stronger;
If, then, my senses stray,
Wonder no longer.


Minstrel Man

Because my mouth
Is wide with laughter
And my throat
Is deep with song,
You do not think
I suffer after
I have held my pain
So long?

Because my mouth
Is wide with laughter,
You do not hear
My inner cry?
Because my feet
Are gay with dancing,
You do not know
I die?


Milton

I

Lover of beauty, walking on the height
Of pure philosophy and tranquil song;
Born to behold the visions that belong
To those who dwell in melody and light;
Milton, thou spirit delicate and bright!
What drew thee down to join the Roundhead throng
Of iron-sided warriors, rude and strong,
Fighting for freedom in a world half night?

Lover of Liberty at heart wast thou,
Above all beauty bright, all music clear:
To thee she bared her bosom and her brow,
Breathing her virgin promise in thine ear,


Michael Who Walks by Night

For his sake drifting away from the true
windlessness, torn sails the aftermath
of him: white canvas suffering too vaguely
from the beautiful agreeing with these arguments,
but far away: sought him, found him

not, distant from image, archetype, the typical
sublime’s encroachments, archaeology
of his innocence which is to be destroyed. Shaped,
shaping, shapes, and shape, the neverwhere
intact, the unearth disinterred. Hermes mi amor,

mi partida, mi pobreza: him my dark
of the moon, my mare nubium, oceanus


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