song

When, foot to wheel and back to wind,
The helmsman dare not look behind,
But hears beyond his compass-light,
The blind bow thunder through the night,
And, like a harpstring ere it snaps,
The rigging sing beneath the caps;
Above the shriek of storm in sail
Or rattle of the blocks blown free,
Set for the peace beyond the gale,
This song the Needle sings the Sea;

Oh, drunken Wave! Oh, driving Cloud!
Rage of the Deep and sterile Rain,
By love upheld, by God allowed,
We go, but we return again!

I sat beneath a willow tree,
Where water falls and calls;
While fancies upon fancies solaced me,
Some true, and some were false.

Who set their heart upon a hope
That never comes to pass,
Droop in the end like fading heliotrope
The sun's wan looking-glass.

Who set their will upon a whim
Clung to through good and ill,
Are wrecked alike whether they sink or swim,
Or hit or miss their will.

All things are vain that wax and wane,
For which we waste our breath;

She

LIKE a serpent to the calling voice of flutes,
Glides my heart into thy fingers, O my Love!
Where the night-wind, like a lover, leans above
His jasmine-gardens and sirisha-bowers;
And on ripe boughs of many-coloured fruits
Bright parrots cluster like vermilion flowers.


He

Like the perfume in the petals of a rose,
Hides thy heart within my bosom, O my love!
Like a garland, like a jewel, like a dove
That hangs its nest in the asoka-tree.

Come to my arms --- is it eve? is it morn?
Is Apollo awake? Is Diana reborn?
Are the streams in full song? Do the woods whisper hush
Is it the nightingale? Is it the thrush?
Is it the smile of the autumn, the blush
Of the spring? Is the world full of peace or alarms?
Come to my arms, Laylah, come to my arms!

Come to my arms, though the hurricane blow.
Thunder and summer, or winter and snow,
It is one to us, one, while our spirits are curled
In the crimson caress: we are fond, we are furled

OUR little queen of dreams,
Our image of delight,
Which whitens east and gleams
And beckons from the height,
Takes on her human form—is here in mortal sight.

We two have loved her long,
Have known her eyes for years;
We worshipped her with song
The spirit only hears,
And now she comes to us new-washed with blood and tears.

Her radiant self she veils
With vesture meet for earth,
And, knowing all, inhales
The lethal air of birth,

In this world all the flow'rs wither,
The sweet songs of the birds are brief;
I dream of summers that will last
Always!

In this world the lips touch but lightly,
And no taste of sweetness remains;
I dream of a kiss that will last
Always.

In this world ev'ry man is mourning
His lost friendship or his lost love;
I dream of fond lovers abiding
Always!

In the thicket's shade
a woman by herself
singing the rice-planting song.


Translated by Robert Hass

My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.

'Tis I that smoke this cigarette,
Lounge here, and laugh for vacancy,
And watch the dancers turn; and yet
It is my very self I see
Across the cloudy cigarette.

My very self that turns and trips,
Painted, pathetically gay,
An empty song upon the lips
In make-believe of holiday:
I, I, this thing that turns and trips!

'Ceste insignefable et tragicque comedie' RABELMS.

I

The sun was down, and twilight grey
Filled half the air; but in the room,
Whose curtain had been drawn all day,
The twilight was a dusky gloom:
Which seemed at first as still as death,
And void; but was indeed all rife
With subtle thrills, the pulse and breath
Of multitudinous lower life.

II
In their abrupt and headlong way
Bewildered flies for light had dashed
Against the curtain all the day,
And now slept wintrily abashed;

CHORUS
Come we shepherds whose blest sight
Hath met love's noon in nature's night;
Come lift we up our loftier song
And wake the sun that lies too long.

To all our world of well-stol'n joy
He slept, and dreamt of no such thing,
While we found out heav'n's fairer eye,
And kiss'd the cradle of our King.
Tell him he rises now too late
To show us aught worth looking at.

Tell him we now can show him more
Than he e'er show'd to mortal sight,