song

Sharers of a common country,
They had met in deadly strife;
Men who should have been as brothers
Madly sought each other's life.

In the silence of the even,
When the cannon's lips were dumb,
Thoughts of home and all its loved ones
To the soldier's heart would come.

On the margin of a river,
'Mid the evening's dews and damps,
Could be heard the sounds of music
Rising from two hostile camps.

One was singing of its section
Down in Dixie, Dixie's land,

A home above the year's seasons
home of children animals and apples
a square of empty space
under an absent star

home was the telescope of childhood
the skin of emotion
a sister's cheek
branch of a tree

the cheek was extinguished by flame
the branch crossed out by a shell
over the powdery ash of the nest
a song of homeless infantry

home is the die of emotion
home is the cube of childhood

the wing of a burned sister

leaf of a dead tree

I swayed upon the gaudy stem
The butt-end of a steering-oar,
And saw wherever I could turn
A crowd upon a shore.

And though I would have hushed the crowd,
There was no mother's son but said,
"What is the figure in a shroud
Upon a gaudy bed?'

And after running at the brim
Cried out upon that thing beneath
- It had such dignity of limb -
By the sweet name of Death.

Though I'd my finger on my lip,
What could I but take up the song?
And running crowd and gaudy ship

Ah, Posthumus! our years hence fly
And leave no sound: nor piety,
Or prayers, or vow
Can keep the wrinkle from the brow;
But we must on,
As fate does lead or draw us; none,
None, Posthumus, could e'er decline
The doom of cruel Proserpine.

The pleasing wife, the house, the ground
Must all be left, no one plant found
To follow thee,
Save only the curst cypress-tree!
--A merry mind
Looks forward, scorns what's left behind;
Let's live, my Wickes, then, while we may,

Horace: Book III, Ode 30

"Exegi monumentum aere perennius---"


The monument that I have built is durable as brass,
And loftier than the Pyramids which mock the years that pass.
No blizzard can destroy it, nor furious rain corrode--
Remember, I'm the bard who built the first Horatian Ode.

I shall not altogether die; a part of me's immortal.
A part of me shall never pass the mortuary portal;
And when I die my fame shall stand the nitric test of time--

ON HIS DEPARTURE FROM BAHIA

When thou stoodst amidst thy countrymen
Our captive and our foe,
What voice of pity was it then
That check'd the fatal blow?

When the name of the mighty 'Man of Fire'
Re-echoed to the sky,
And our chiefs forgot their deadly ire—
Who hail'd thy victory?

What voice like the softest, sweetest note
That rings from the slender white bird's throat,
Has soothed thee so oft to rest?
And thou hast said, so tenderly,

Hail sov'reign love that first began,
The scheme to rescue fallen man;
Hail matchless, free, eternal grace,
That gave my soul a Hiding-Place.

Against the God that rules the sky,
I fought with hands uplifted high;
Despis'd the mentions of his grace,
Too proud to seek a Hiding-Place.

Enwrapt in thick Egyptian night,
And fond of darkness more than light,
Madly I ran the sinful race,
Secure without a Hiding-Place.

But thus the eternal counsel ran,
Almighty Love arrest that man;

Her eyes are like the evening air,
Her voice is like a rose,
Her lips are like a lovely song,
That ripples as it flows,
And she herself is sweeter than
The sweetest thing she knows.

A slender, haunting, twilight form
Of wonder and surprise,
She seemed a fairy or a child,
Till, deep within her eyes,
I saw the homeward-leading star
Of womanhood arise.

Now the dead past seems vividly alive,
And in this shining moment I can trace,
Down through the vista of the vanished years,
Your faun-like form, your fond elusive face.
And suddenly some secret spring's released,
And unawares a riddle is revealed,
And I can read like large, black-lettered print,
What seemed before a thing forever sealed.

I know the magic word, the graceful thought,
The song that fills me in my lucid hours,
The spirit's wine that thrills my body through,

Who comes to-night? We open the doors in vain.
Who comes? My bursting walls, can you contain
The presences that now together throng
Your narrow entry, as with flowers and song,
As with the air of life, the breath of talk?
Lo, how these fair immaculate women walk
Behind their jocund maker; and we see
Slighted De Mauves, and that far different she,
Gressie, the trivial sphynx; and to our feast
Daisy and Barb and Chancellor (she not least!)
With all their silken, all their airy kin,
Do like unbidden angels enter in.