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Lepanto

White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,

L'Envoy of Chaucer to Bukton

My Master Bukton, when of Christ our King
Was asked, What is truth or soothfastness?
He not a word answer'd to that asking,
As who saith, no man is all true, I guess;
And therefore, though I highte to express
The sorrow and woe that is in marriage,
I dare not write of it no wickedness,
Lest I myself fall eft in such dotage.

I will not say how that it is the chain
Of Satanas, on which he gnaweth ever;
But I dare say, were he out of his pain,
As by his will he would be bounden never.
But thilke doated fool that eft had lever

Leffingwell

I—THE LURE

No, no,—forget your Cricket and your Ant,
For I shall never set my name to theirs
That now bespeak the very sons and heirs
Incarnate of Queen Gossip and King Cant.
The case of Leffingwell is mixed, I grant,
And futile Seems the burden that he bears;
But are we sounding his forlorn affairs
Who brand him parasite and sycophant?

I tell you, Leffingwell was more than these;
And if he prove a rather sorry knight,
What quiverings in the distance of what light
May not have lured him with high promises,

Lays of Sorrow

The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw

Laughter And Death

THERE is no laughter in the natural world
Of beast or fish or bird, though no sad doubt
Of their futurity to them unfurled
Has dared to check the mirth-compelling shout.
The lion roars his solemn thunder out
To the sleeping woods. The eagle screams her cry.
Even the lark must strain a serious throat
To hurl his blest defiance at the sky.
Fear, anger, jealousy, have found a voice.
Love’s pain or rapture the brute bosoms swell.
Nature has symbols for her nobler joys,
Her nobler sorrows. Who had dared foretell

Late Ripeness

Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.

One after another my former lives were departing,
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.

I was not separated from people,
grief and pity joined us.
We forget - I kept saying - that we are all children of the King.

For where we come from there is no division

Last Words to Miriam

Yours is the shame and sorrow,
But the disgrace is mine;
Your love was dark and thorough,
Mine was the love of the sun for a flower
He creates with his shine.

I was diligent to explore you,
Blossom you stalk by stalk,
Till my fire of creation bore you
Shrivelling down in the final dour
Anguish -- then I suffered a balk.

I knew your pain, and it broke
My fine, craftsman's nerve;
Your body quailed at my stroke,
And my courage failed to give you the last

Last night my soul cried O exalted sphere of Heaven

Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly.
“Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning;
“Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham.
“In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.”
Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell?

Lassitude

I laid me down beside the sea,
Endless in blue monotony;
The clouds were anchored in the sky.
Sometimes a sail went idling by.

Upon the shingles on the beach
Grey linen was spread out to bleach,
And gently with a gentle swell
The languid ripples rose and fell.

A fisher-boy, in level line,
Cast stone by stone into the brine:
Methought I too might do as he,
And cast my sorrows on the sea.

The old, old sorrows in a heap
Dropped heavily into the deep;
But with its sorrow on that day

Landscape of a Vomiting Multitude

The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,