It is a place whither I've often gone
For peace, and found it, secret, hushed, and cool,
A beautiful recess in neighboring woods.
Trees of the soberest hues, thick-leaved and tall,
Arch it o'erhead and column it around,
Framing a covert, natural and wild,
Domelike and dim; though nowhere so enclosed
But that the gentlest breezes reach the spot
Unwearied and unweakened. Sound is here
A transient and unfrequent visitor;
Yet if the day be calm, not often then,
Whilst the high pines in one another's arms

There's a palace in Florence, the world knows well,
And a statue watches it from the square,
And this story of both do our townsmen tell.

Ages ago, a lady there,
At the farthest window facing the East,
Asked, "Who rides by with the royal air?"

The bridesmaids' prattle around her ceased;
She leaned forth, one on either hand;
They saw how the blush of the bride increased --

They felt by its beats her heart expand --
As one at each ear and both in a breath
Whispered, "The Great-Duke Ferdinand."

I
THE BRIDE

Where have You hidden Yourself,
And abandoned me in my groaning, O my Beloved?
You have fled like the hart,
Having wounded me.
I ran after You, crying; but You were gone.

II
O shepherds, you who go
Through the sheepcots up the hill,
If you shall see Him
Whom I love the most,
Tell Him I languish, suffer, and die.

III
In search of my Love
I will go over mountains and strands;
I will gather no flowers,
I will fear no wild beasts;
And pass by the mighty and the frontiers.

Not in the crisis of events
Of compass'd hopes, or fears fulfill'd,
Or acts of gravest consequence,
Are life's delight and depth reveal'd.
The day of days was not the day;
That went before, or was postponed;
The night Death took our lamp away
Was not the night on which we groan'd.
I drew my bride, beneath the moon,
Across my threshold; happy hour!
But, ah, the walk that afternoon
We saw the water-flags in flower!

Lovely dainty Spanish needle
With your yellow flower and white,
Dew bedecked and softly sleeping,
Do you think of me to-night?

Shadowed by the spreading mango,
Nodding o'er the rippling stream,
Tell me, dear plant of my childhood,
Do you of the exile dream?

Do you see me by the brook's side
Catching crayfish 'neath the stone,
As you did the day you whispered:
Leave the harmless dears alone?

Do you see me in the meadow
Coming from the woodland spring
With a bamboo on my shoulder

The soote season, that bud and bloom forth brings,
With green hath clad the hill and eke the vale;
The nightingale with feathers new she sings,
The turtle to her make hath told her tale.
Summer is come, for every spray now springs,
The hart hath hung his old head on the pale,
The buck in brake his winter coat he flings,
The fishes float with new repaired scale,
The adder all her slough away she slings,
The swift swallow pursueth the flyës smale,
The busy bee her honey now she mings--
Winter is worn that was the flowers' bale.

But you now, dear girl, whom I loved like a flower whose
name
I didn't know, you who so early were taken away:
I will once more call up your image and show it to them,
beautiful companion of the unsubduable cry.

Dancer whose body filled with your hesitant fate,
pausing, as though your young flesh had been cast in bronze;
grieving and listening--. Then, from the high dominions,
unearthly music fell into your altered heart.

Already possessed by shadows, with illness near,
your blood flowed darkly; yet, though for a moment

Rose, you majesty-once, to the ancients, you were
just a calyx with the simplest of rims.
But for us, you are the full, the numberless flower,
the inexhaustible countenance.

In your wealth you seem to be wearing gown upon gown
upon a body of nothing but light;
yet each seperate petal is at the same time the negation
of all clothing and the refusal of it.

Your fragrance has been calling its sweetest names
in our direction, for hundreds of years;
suddenly it hangs in the air like fame.

A sonnet is a moment's monument, --
Memorial from the Soul's eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,
Of its own arduous fulness reverent:
Carve it in ivory or in ebony,
As Day or Night may rule; and let Time see
Its flowering crest impearled and orient.

A Sonnet is a coin: its face reveals
The soul, -- its converse, to what Power 'tis due: --
Whether for tribute to the august appeals
Of Life, or dower in Love's high retinue,

"Sweep thy faint strings, Musician,
With thy long lean hand;
Downward the starry tapers burn,
Sinks soft the waning sand;
The old hound whimpers couched in sleep,
The embers smoulder low;
Across the walls the shadows
Come, and go.

Sweep softly thy strings, Musician,
The minutes mount to hours;
Frost on the windless casement weaves
A labyrinth of flowers;
Ghosts linger in the darkening air,
Hearken at the open door;
Music hath called them, dreaming,
Home once more."