strength

Brother, come back! come back!
Dear brother, what can be the charm,
That holds you so strong -- that keeps you so long
Away from your father's able farm?
Poor Father, he tells how he needs you --
And would it be more than is due.
His labors to share, his burdens to bear,
Who once bore your burdens for you!

'Tis the voice of your sister -- she calls you,
In tones both of love and alarm!
"By dead mother's prayers -- by father's gray hairs --
Dear brother, come back to the farm."

Father, tho' years ago

In the little Crimson Manual it's written plain and clear
That who would wear the scarlet coat shall say good-bye to fear;
Shall be a guardian of the right, a sleuth-hound of the trail--
In the little Crimson Manual there's no such word as "fail"--
Shall follow on though heavens fall, or hell's top-turrets freeze,
Half round the world, if need there be, on bleeding hands and knees.
It's duty, duty, first and last, the Crimson Manual saith;
The Scarlet Rider makes reply: "It's duty--to the death."

Can we believe -- by an effort
comfort our hearts:
it is not waste all this,
not placed here in disgust,
street after street,
each patterned alike,
no grace to lighten
a single house of the hundred
crowded into one garden-space.

Crowded -- can we believe,
not in utter disgust,
in ironical play --
but the maker of cities grew faint
with the beauty of temple
and space before temple,
arch upon perfect arch,
of pillars and corridors that led out

WHEN the hounds of spring are on winter's traces,
   The mother of months in meadow or plain
Fills the shadows and windy places
   With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
   The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,
   Maiden most perfect, lady of light,
With a noise of winds and many rivers,
   With a clamour of waters, and with might;

from Atalanta in Calydon

When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.

Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,

My senses ofttimes are oppress'd,

Oft stagnant is my blood;
But when by Christel's sight I'm blest,

I feel my strength renew'd.
I see her here, I see her there,

And really cannot tell
The manner how, the when, the where,

The why I love her well.

If with the merest glance I view

Her black and roguish eyes,
And gaze on her black eyebrows too,

My spirit upward flies.
Has any one a mouth so sweet,

Such love-round cheeks as she?

With beasts and gods, above, the wall is bright.
The child's head, bent to the book-colored shelves,
Is slow and sidelong and food-gathering,
Moving in blind grace ... yet from the mural, Care
The grey-eyed one, fishing the morning mist,
Seizes the baby hero by the hair
And whispers, in the tongue of gods and children,
Words of a doom as ecumenical as dawn
But blanched like dawn, with dew.
The children's cries
Are to men the cries of crickets, dense with warmth
-- But dip a finger into Fafnir, taste it,

Calm as that second summer which precedes
The first fall of the snow,
In the broad sunlight of heroic deeds,
The City bides the foe.

As yet, behind their ramparts stern and proud,
Her bolted thunders sleep --
Dark Sumter, like a battlemented cloud,
Looms o'er the solemn deep.

No Calpe frowns from lofty cliff or scar
To guard the holy strand;
But Moultrie holds in leash her dogs of war
Above the level sand.

And down the dunes a thousand guns lie couched,
Unseen, beside the flood --

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.
Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

What body can be ploughed,
Sown, and broken yearly?
But she would not die, she vowed,
But she has, nearly.
Sing, heart sing;
Call and carol clearly.

And, since she could not die,
Care would be a feather,
A film over the eye
Of two that lie together.
Fly, song, fly,
Break your little tether.

So from strength concealed
She makes her pretty boast:
Plain is a furrow healed
And she may love you most.
Cry, song, cry,