summer

Now Jones had left his new-wed bride to keep his house in order,
And hied away to the Hurrum Hills above the Afghan border,
To sit on a rock with a heliograph; but ere he left he taught
His wife the working of the Code that sets the miles at naught.

And Love had made him very sage, as Nature made her fair;
So Cupid and Apollo linked , per heliograph, the pair.
At dawn, across the Hurrum Hills, he flashed her counsel wise --
At e'en, the dying sunset bore her busband's homilies.

Take of English earth as much
As either hand may rightly clutch.
In the taking of it breathe
Prayer for all who lie beneath.
Not the great nor well-bespoke,
But the mere uncounted folk
Of whose life and death is none
Report or lamentation.
Lay that earth upon thy heart,
And thy sickness shall depart!

It shall sweeten and make whole
Fevered breath and festered soul.
It shall mightily restrain
Over-busied hand and brain.
It shall ease thy mortal strife
'Gainst the immortal woe of life,

Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.

They splashed and swam with the wondrous unconsciousness
Of their youth and beauty
In the full spontaneity and summer of the fieshes of
awareness
Heightened, intensified and softened
By the soft and the silk of the waters
Blooded made ready by the energy set afire by the
nakedness of the body,

C.K. loquitur.

I dreamed I was in fair Niphon.
Amid tea-fields I journeyed on,
Reclined in my jinrikishaw;
Across the rolling plains I saw
The lordly Fusi-yama rise,
His blue cone lost in bluer skies.

At last I bade my bearers stop
Before what seemed a china-shop.
I roused myself and entered in.
A fearful joy, like some sweet sin,
Pierced through my bosom as I gazed,
Entranced, transported, and amazed.
For all the house was but one room,
And in its clear and grateful gloom,

Good friend, be patient: goes the world awry?
well, can you groove it straight with all your pains?
and, sigh or scold, and, argue or intreat,
what have you done but waste your part of life
on impotent fool's battles with the winds,
that will blow as they list in spite of you?

Fie, I am weary of your pettish griefs
against the world that's given, like a child
who whines and pules because his bread's not cake,
because the roses have those ugly thorns
that prick if he's not careful of his hands.

Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,

They are rhymes rudely strung with intent less
Of sound than of words,
In lands where bright blossoms are scentless,
And songless bright birds;
Where, with fire and fierce drought on her tresses,
Insatiable Summer oppresses
Sere woodlands and sad wildernesses,
And faint flocks and herds.
Where in drieariest days, when all dews end,
And all winds are warm,
Wild Winter's large floodgates are loosen'd,
And floods, freed by storm;
From broken-up fountain heads, dash on
Dry deserts with long pent up passion--

No master sage, nor orator I know,
Who can success, like gentle Cupid show;
His ways and arguments are pleasing smiles,
Engaging looks, soft tears, and winning wiles.
Wars in his empire will at times arise,
And, in the field, his standard meet the eyes;
Now stealing secretly, with skilful lure.
He penetrates to hearts supposed secure,
O'erleaps the ramparts that protect around,
And citadels reduces, most renowned.

I dare engage, two fortresses besiege
Leave one to Mars, and t'other to this liege.

At the outset I may mention it's my sovereign intention
To revive the classic memories of Athens at its best,
For my company possesses all the necessary dresses,
And a course of quiet cramming will supply us with the rest.
We've a choir hyporchematic (that is, ballet-operatic)
Who respond to the CHOREUTAE of that cultivated age,
And our clever chorus-master, all but captious criticaster,
Would accept as the CHOREGUS of the early Attic stage.
This return to classic ages is considered in their wages,

’T IS Christmas, and the North wind blows; ’t was two years yesterday
Since from the Lusitania’s bows I looked o’er Table Bay,
A tripper round the narrow world, a pilgrim of the main,
Expecting when her sails unfurled to start for home again.

’T is Christmas, and the North wind blows; to-day our hearts are one,
Though you are ’mid the English snows and I in Austral sun;
You, when you hear the Northern blast, pile high a mightier fire,
Our ladies cower until it ’s past in lawn and lace attire.