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The Clearing of the Land An Epitaph

The trees went up the hill
And over it.
Then the dry grasses of the pasture were
Only a kind of blonde light
Settling everywhere
And framing the randomly strewn
Outcropping of gray stone

That anchored them to soil.

Who were they?
One in the picture, & one not, & both
Scotch-Irish drifters,
With nothing in common but a perfect contempt
for a past;
Ancestors of stumps & fallen trees & . . . .
One sits on a sorrel mare,
Idly tossing small stones at the rump
of a steer

The City Planners

Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or
shatter of glass; nothing more abrupt
than the rational whine of a power mower
cutting a straight swath in the discouraged grass.

But though the driveways neatly
sidestep hysteria
by being even, the roofs all display
the same slant of avoidance to the hot sky,
certain things:

The City at the End of Things

Beside the pounding cataracts
Of midnight streams unknown to us
'Tis builded in the leafless tracts
And valleys huge of Tartarus.
Lurid and lofty and vast it seems;
It hath no rounded name that rings,
But I have heard it called in dreams
The City of the End of Things.
Its roofs and iron towers have grown
None knoweth how high within the night,
But in its murky streets far down
A flaming terrible and bright
Shakes all the stalking shadows there,
Across the walls, across the floors,

The Circling Hearths

MY Countrymen, though we are young as yet
With little history, nought to show
Of lives enleagued against a foreign foe,
Torn flags and triumph, glory or regret;
Still some things make our kinship sweet,
Some deeds inglorious but of royal worth,
As when with tireless arms and toiling feet
We felled the tree and tilled the earth.

’Tis no great way that we have travelled since
Our feet first shook the storied dust
Of England from them, when with love and trust

The Church-Builder

The church flings forth a battled shade
Over the moon-blanched sward:
The church; my gift; whereto I paid
My all in hand and hoard;
Lavished my gains
With stintless pains
To glorify the Lord.

I squared the broad foundations in
Of ashlared masonry;
I moulded mullions thick and thin,
Hewed fillet and ogee;
I circleted
Each sculptured head
With nimb and canopy.

I called in many a craftsmaster
To fix emblazoned glass,
To figure Cross and Sepulchure
On dossal, boss, and brass.

The Christmas Tree

In the dark and damp of the alley cold,
Lay the Christmas tree that hadn't been sold;
By a shopman dourly thrown outside;
With the ruck and rubble of Christmas-tide;
Trodden deep in the muck and mire,
Unworthy even to feed a fire...
So I stopped and salvaged that tarnished tree,
And thus is the story it told to me:

"My Mother was Queen of the forest glade,
And proudly I prospered in her shade;
For she said to me: 'When I am dead,
You will be monarch in my stead,
And reign, as I, for a hundred years,

The Chosen Cliff

Here in silence the lover fondly mused on his loved one;
Gladly he spake to me thus: "Be thou my witness, thou stone!
Yet thou must not be vainglorious, thou hast many companions;
Unto each rock on the plain, where I, the happy one, dwell,
Unto each tree of the wood that I cling to, as onward I ramble,
'Be thou a sign of my bliss!' shout I, and then 'tis ordain'd.
Yet to thee only I lend a voice, as a Muse from the people
Chooseth one for herself, kissing his lips as a friend."

The Chinese Nightingale

A Song in Chinese Tapestries


"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"

"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."

The Chatter of a Death-Demon from the Tree-Top

The chatter of a death-demon from a tree-top

Blood -- blood and torn grass --
Had marked the rise of his agony --
This lone hunter.
The grey-green woods impassive
Had watched the threshing of his limbs.

A canoe with flashing paddle,
A girl with soft searching eyes,
A call: "John!"
. . . . . . . . . . . .
Come, arise, hunter!
Can you not hear?

The chatter of a death-demon from a tree-top.

The chatter of a death-demon from a tree-top

The chatter of a death-demon from a tree-top

Blood -- blood and torn grass --
Had marked the rise of his agony --
This lone hunter.
The grey-green woods impassive
Had watched the threshing of his limbs.

A canoe with flashing paddle,
A girl with soft searching eyes,
A call: "John!"
. . . . . . . . . . . .
Come, arise, hunter!
Can you not hear?

The chatter of a death-demon from a tree-top.