water

From the runs of the Narran, wide-dotted with sheep,
And loud with the lowing of cattle,
We speed for a land where the strange forests sleep
And the hidden creeks bubble and brattle!
Now call on the horses, and leave the blind courses
And sources of rivers that all of us know;
For, crossing the ridges, and passing the ledges,
And running up gorges, we'll come to the verges
Of gullies where waters eternally flow.
Oh! the herds they will rush down the spurs of the hill
To feed on the grasses so cool and so sweet;

O you shaggy-headed banyan tree standing on the bank of the pond,
have you forgotten the little chile, like the birds that have
nested in your branches and left you?
Do you not remember how he sat at the window and wondered at
the tangle of your roots and plunged underground?
The women would come to fill their jars in the pond, and your
huge black shadow would wriggle on the water like sleep struggling
to wake up.
Sunlight danced on the ripples like restless tiny shuttles
weaving golden tapestry.

There are fires on Lulu Island, and the sky is opalescent
With the pearl and purple tinting from the smouldering of peat.
And the Dream Hills lift their summits in a sweeping, hazy crescent,
With the Capilano canyon at their feet.

There are fires on Lulu Island, and the smoke, uplifting, lingers
In a faded scarf of fragrance as it creeps across the day,
And the Inlet and the Narrows blur beneath its silent fingers,
And the canyon is enfolded in its grey.

Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
  (Chorus) Of the Magazine Wall,
           Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship
To the penal jail of Mountjoy
  (Chorus) To the jail of Mountjoy!
           Jail him and joy.

He was fafafather of all schemes for to bother us

I'll tell thee everything I can;
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.
"Who are you, aged man?" I said,
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat:
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread—
A trifle; if you please."

Go, sit upon the lofty hill,
And turn your eyes around,
Where waving woods and waters wild
Do hymn an autumn sound.
The summer sun is faint on them --
The summer flowers depart --
Sit still -- as all transform'd to stone,
Except your musing heart.

How there you sat in summer-time,
May yet be in your mind;
And how you heard the green woods sing
Beneath the freshening wind.
Though the same wind now blows around,
You would its blast recall;

As swimmers dare
to lie face to the sky
and water bears them,
as hawks rest upon air
and air sustains them,
so would I learn to attain
freefall, and float
into Creator Spirit’s deep embrace,
knowing no effort earns
that all-surrounding grace.

Nor thou, Habib, nor I are glad,
when rosy limbs and sweat entwine;
But rapture drowns the sense and self,
the wine the drawer of the wine,

And Him that planted first the grape-
o podex, in thy vault there dwells
A charm to make the member mad,
And shake the marrow of the spine.

O member, in thy stubborn strenght
a power avails on podex-sense
To boil the blood in breast and brain;
shudder the nreves incarnadine!

From me thou drawest pearly drink -
and in its pourings both are drunk.

Every day so lovely, shining,
up and down, the Sultan’s daughter
walked at evening by the water,
where the white fountain splashes.

Every day the young slave stood
by the water, in the evening,
where the white fountain splashes,
each day growing pale and paler.

Then the princess came one evening,
quickly speaking to him, softly,
‘Your true name – I wish to know it,
your true homeland and your nation.’

And the slave said, ‘I am called
Mahomet, I am from Yemen,

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,