Children of the elemental mother,
Born upon some lonely island shore
Where the wrinkled ripples run and whisper,
Where the crested billows plunge and roar;
Long-winged, tireless roamers and adventurers,
Fearless breasters of the wind and sea,
In the far-off solitary places
I have seen you floating wild and free!

Here the high-built cities rise around you;
Here the cliffs that tower east and west,
Honeycombed with human habitations,
Have no hiding for the sea-bird's nest:
Here the river flows begrimed and troubled;

A gallant city has been builded far
In the pied heaven,
Bannered with crimson, sentinelled by star
Of crystal even;
Around a harbor of the twilight glowing,
With jubilant waves about its gateways flowing

A city of the Land of Lost Delight,
On seas enchanted,
Presently to be lost in mist moon-white
And music-haunted;
Given but briefly to our raptured vision,
With all its opal towers and shrines elysian.

Had we some mystic boat with pearly oar
And wizard pilot,
To guide us safely by the siren shore

How still,
How strangely still
The water is today,
It is not good
For water
To be so still that way.

If I grow bitterly,
Like a gnarled and stunted tree,
Bearing harshly of my youth
Puckered fruit that sears the mouth;
If I make of my drawn boughs
An Inshospitable House,
Out of which I nevery pry
Towards the water and the sky,
Under which I stand and hide
And hear the day go by outside;
It is that a wind to strong
Bent my back when I was young,
It is that I fear the rain
Lest it blister me again.

Now the ice lays its smooth claws on the sill,
The sun looks from the hill
Helmed in his winter casket,
And sweeps his arctic sword across the sky.
The water at the mill
Sounds more hoarse and dull.
The miller's daughter walking by
With frozen fingers soldered to her basket
Seems to be knocking
Upon a hundred leagues of floor
With her light heels, and mocking
Percy and Douglas dead,
And Bruce on his burial bed,
Where he lies white as may
With wars and leprosy,
And all the kings before
This land was kingless,

I sat on the bank above Bernadotte
And dropped crumbs in the water,
Just to see the minnows bump each other,
Until the strongest got the prize.
Or I went to my little pasture,
Where the peaceful swine were asleep in the wallow,
Or nosing each other lovingly,
And emptied a basket of yellow corn,
And watched them push and squeal and bite,
And trample each other to get the corn.
And I saw how Christian Dallman's farm,
Of more than three thousand acres,
Swallowed the patch of Felix Schmidt,
As a bass will swallow a minnow

God! ask me not to record your wonders,
I admit the stars and the suns
And the countless worlds.
But I have measured their distances
And weighed them and discovered their substances.
I have devised wings for the air,
And keels for water,
And horses of iron for the earth.
I have lengthened the vision you gave me a million times,
And the hearing you gave me a million times,
I have leaped over space with speech,
And taken fire for light out of the air.
I have built great cities and bored through the hills,

It is our best and prayerful judgment that they (air attacks) are a necessary part of the surest road to peace.
Lyndon B. Johnson

There is a dark tolling in the air,
an unbearable needle in the vein,
the horizon flaked with feathers of rust.
From the caves of drugged flowers
fireflies rise through the night:
they bear the sweet gospel of napalm.

Democracies of flame are declared
in the villages, the rice-fields
seethe with blistered reeds.
Children stand somnolent on their crutches.
Freedom, a dancing girl,

Tiny green birds skate over the surface of the room.
A naked girl prepares a basin with steaming water,
And in the corner away from the hearth, the red wheels
Of an up-ended chariot slowly turn.
After a long moment, the door to the other world opens
And the golden figure of a man appears. He stands
Ruddy as a salmon beside the niche where are kept
The keepsakes of the Prince of Earth; then sadly, drawing
A hammer out of his side, he advances to an oaken desk,
And being careful to strike in exact fury, pounds it to bits.

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.


SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head