The words are a beautiful music.
The words bounce like in water.
Water music,
loud in the clearing
off the boats,
birds, leaves.
They look for a place
to sit and eat--
no meaning,
no point.
There at Geneva where Mt. Blanc floated above
The wine-hued lake like a cloud, when a breeze was blown
Out of an empty sky of blue, and the roaring Rhone
Hurried under the bridge through chasms of rock;
And the music along the cafés was part of the splendor
Of dancing water under a torrent of light;
And the purer part of the genius of Jean Rousseau
Was the silent music of all we saw or heard --
There at Geneva, I say, was the rapture less
Because I could not link myself with the I of yore,
"Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear."
Then you look at me in a manner bland,
As you turn your ledger's leaves,
And you hand it back with a soft white hand,
And the air of a man who grieves. . . .
"Was it you, young Jones, was it you I saw
(And I think I see you yet)
With a live bomb gripped in your grimy paw
And your face to the parapet?
With your lips asnarl and your eyes gone mad
My whole life is mine, but whoever says so
will deprive me, for it is infinite.
The ripple of water, the shade of the sky
are mine; it is still the same, my life.
No desire opens me: I am full,
I never close myself with refusal-
in the rythm of my daily soul
I do not desire-I am moved;
by being moved I exert my empire,
making the dreams of night real:
into my body at the bottom of the water
I attract the beyonds of mirrors...
Translated by A. Poulin
Everything on the earth bristled, the bramble
pricked and the green thread
nibbled away, the petal fell, falling
until the only flower was the falling itself.
Water is another matter,
has no direction but its own bright grace,
runs through all imaginable colors,
takes limpid lessons
from stone,
and in those functionings plays out
the unrealized ambitions of the foam.
Washing the hoe--
ripples on the water;
far off, wild ducks.
Translated by Robert Hass
Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,
camellia texture,
colder than a rose;
wind-flower
that keeps the breath
of the north-wind --
these and none other;
intimate thoughts and kind
reach out to share
the treasure of my mind,
intimate hands and dear
drawn garden-ward and sea-ward
all the sheer rapture
Not the moon. A flower
on the other side of the water.
The water sweeps past in flood,
dragging a whole tree by the hair,
a barn, a bridge. The flower
sings on the far bank.
Not a flower, a bird calling
hidden among the darkest trees, music
over the water, making a silence
out of the brown folds of the river's cloak.
The moon. No, a young man walking
under the trees. There are lanterns
among the leaves.
Tender, wise, merry,
his face is awake with its own light,
OH! there once was a swagman camped in the Billabong,
Under the shade of a Coolabah tree;
And he sang as he looked at his old billy boiling,
“Who’ll come a-waltzing Matilda with me.”
Who’ll come a-waltzing Matilda, my darling,
Who’ll come a-waltzing Matilda with me?
Waltzing Matilda and leading a water-bag—
Who’ll come a-waltzing Matilda with me?
Down came a jumbuck to drink at the water-hole,
Up jumped the swagman and grabbed him in glee;
And he sang as he put him away in his tucker-bag,
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie
houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse
sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
