Someone across the crowded room says
'Radio Luxemburg'
and it's like hearing your life
through the screech and moan
of wireless valves.
Were you really there,
in Mario Lanza days,
Sunday dinner in stiff church clothes.
Cigarette cards, comics, conkers
and pencil cases.
When you rode an invisible horse?

They hit the towers last year.
God knows. Maybe it's the alchemy
of new weapons and old superstitions.
You saw a woman sobbing
on her knees in Bleeker Street.
Briefly, because you were rushing
to meet a client.

In the dense entangled street,
Where the web of Trade is weaving,
Forms unknown in crowds I meet
Much of each and all believing;
Each his small designs achieving
Hurries on with restless feet,
While, through Fancy’s power deceiving,
Self in every form I greet.

Oft in yonder rocky dell
Neath the birches’ shadow seated,
I have watched the darksome well,
Where my stooping form, repeated,
Now advanced and now retreated
With the spring’s alternate swell,
Till destroyed before completed
As the big drops grew and fell.

Ten miles down Reedy River
A pool of water lies,
And all the year it mirrors
The changes in the skies,
And in that pool's broad bosom
Is room for all the stars;
Its bed of sand has drifted
O'er countless rocky bars.

Around the lower edges
There waves a bed of reeds,
Where water rats are hidden
And where the wild duck breeds;
And grassy slopes rise gently
To ridges long and low,
Where groves of wattle flourish
And native bluebells grow.

Beneath the granite ridges
The eye may just discern

Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:

'Pipe a song about a Lamb!'
So I piped with merry cheer.
'Piper, pipe that song again;'
So I piped: he wept to hear.

'Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!'
So I sung the same again,
While he wept with joy to hear.

'Piper, sit thee down and write
In a book that all may read.'
So he vanish'd from my sight;
And I pluck'd a hollow reed,

And I made a rural pen,

THE old brown thorn-trees break in two high over Cummen Strand,
Under a bitter black wind that blows from the left hand;
Our courage breaks like an old tree in a black wind and dies,
But we have hidden in our hearts the flame out of the eyes
Of Cathleen, the daughter of Houlihan.
The wind has bundled up the clouds high over Knock- narea,
And thrown the thunder on the stones for all that Maeve can say.
Angers that are like noisy clouds have set our hearts abeat;
But we have all bent low and low and kissed the quiet feet

Rouse ye! torpid daylight-dreamers, cast your carking cares away!
As calm air to troubled water, so my night is to your day;
All the dreary day you labour, groping after common sense,
And your eyes ye will not open on the night's magnificence.
Ye would scow were I to tell you how a guiding radiance gleams
On the outer world of action from my inner world of dreams.

When, with mind released from study, late I lay note down to sleep,
From the midst of facts and figures, into boundless space I leap;

It seems these poets have nothing
up their ample sleeves
they turn over so many cards so early,
telling us before the first line
whether it is wet or dry,
night or day, the season the man is standing in,
even how much he has had to drink.

Maybe it is autumn and he is looking at a sparrow.
Maybe it is snowing on a town with a beautiful name.

"Viewing Peonies at the Temple of Good Fortune
on a Cloudy Afternoon" is one of Sun Tung Po's.
"Dipping Water from the River and Simmering Tea"
is another one, or just

How many guys are sitting at their kitchen tables
right now, one-thirty in the morning, this same
time, eating a piece of pie? - that's what I
wondered. A big piece of pie, because I'd just
finished reading Ray's last book. Not good pie,
not like my mother or my wife could've
made, but an ordinary pie I'd just bought, being
alone, at the Tops Market two hours ago. And how
many had water in their eyes? Because of Ray's
book and especially those last poems written
after he knew: the one about the doctor telling

Once I loved a fairy,
Queen Mab it was. Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.

To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,

As he lies mid his retinue of rats,
oblivious to the trickling water
and the maelstrom in the babbling sewer,
one might think his nose a hovel for flies
in the low and oppressive August heat,
but gladly he sleeps the sleep of the just,
like a foetus double-crossed in the womb.

Who but the passing ethereal white clouds,
or the bent proprietress of a dive
in those drunken days before her passing,
ever noticed to care by whim or chance
how he resembled a pigeon walking
in the ocean of misery and mud