woman

Up from the street and the crowds that went,
Morning and midnight, to and fro,
Still was the room where his days he spent,
And the stars were bleak, and the nights were slow.

Year after year, with his dream shut fast,
He suffered and strove till his eyes were dim,
For the love that his brushes had earned at last, --
And the whole world rang with the praise of him.

But he cloaked his triumph, and searched, instead,
Till his cheeks were sere and his hairs were gray.

There was a red star stone, old poets feign,
Hung on the neck of Helen, the most fair
Of women, the world's wonder; gathering there,
Dripped ever one bright drop of blood; like rain
That ere it fails blows into mist again.
The crimson gout melted to roseate air,
And that divine white bosom, proudly bare,
Of all the woe it cost bore never a stain.
So you, serene and beauteous lady, rove
'Mid throngs of luckless ones who gaze and die.
And not a tremor of heartbreak, not a sigh

The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way

Lo, haply walking in some clattering street--
Where throngs of men and women dumbly pass,
Like shifting pictures seen within a glass
Which leave no trace behind--one seems to meet,
In roads once trodden by our mutual feet,
A face projected from that shadowy mass
Of faces, quite familiar as it was,
Which beaming on us stands out clear and sweet.

The face of faces we again behold
That lit our life when life was very fair,
And leaps our heart toward eyes and mouth and hair:

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they -
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts, -
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:

I heard a woman's lips
Speaking to a companion
Say these words:

"A woman what hustles
Never keeps nothin'
For all her hustlin'.
Somebody always gets
What she goes on the street for.
If it ain't a pimp
It's a bull what gets it.
I been hustlin' now
Till I ain't much good any more.
I got nothin' to show for it.
Some man got it all,
Every night's hustlin' I ever did."

I asked the professors who teach the meaning of life to tell
me what is happiness.
And I went to famous executives who boss the work of
thousands of men.
They all shook their heads and gave me a smile as though
I was trying to fool with them
And then one Sunday afternoon I wandered out along
the Desplaines river
And I saw a crowd of Hungarians under the trees with
their women and children and a keg of beer and an
accordion.

Out of the lights and roar of cities,
Drifting down like a spark in Spoon River,
Burnt out with the fire of drink, and broken,
The paramour of a woman I took in self-contempt,
But to hide a wounded pride as well.
To be judged and loathed by a village of little minds --
I, gifted with tongues and wisdom,
Sunk here to the dust of the justice court,
A picker of rags in the rubbage of spites and wrongs, --
I, whom fortune smiled on! I in a village,
Spouting to gaping yokels pages of verse,
Out of the lore of golden years,

What is a woman that you forsake her,
And the hearth-fire and the home-acre.
To go with the old grey Widow-maker?

She has no house to lay a guest in
But one chill bed for all to rest in,
That the pale suns and the stray bergs nest in.

She has no strong white arms to fold you,
But the ten-times-fingering weed to hold you
Out on the rocks where the tide has rolled you.

Yet, when the signs of summer thicken,
And the ice breaks, and the birch-buds quicken,

(Non-commissioned Officers in Charge of Prisoners)


When by the labor of my 'ands
I've 'elped to pack a transport tight
With prisoners for foreign lands,
I ain't transported with delight.
I know it's only just an' right,
But yet it somehow sickens me,
For I 'ave learned at Waterval
The meanin' of captivity.

Be'ind the pegged barb-wire strands,
Beneath the tall electric light,
We used to walk in bare-'ead bands,
Explainin' 'ow we lost our fight;
An' that is what they'll do to-night