Careless Philosopher's Soliloquy

I rise when I please, when I please I lie down,
Nor seek, what I care not a rush for, renown;
The rattle called wealth I have learnt to despise,
Nor aim to be either important or wise.

Let women & children & children-like men
Pursue the false trollop the world has called fame.
Who just as enjoyed, is instantly flown
And leaves disappointment, the hag, in her room.

If the world is content not to stand in my way
The world may jog on both by night and by day
Unimpeded by me - not a straw will I put


Capis Windows

How do you enter that Manila
frame of mind, that woven
mat of noodle house restaurants,

that dawn of tapis tasting women,
that hankering of hourly hauntings?
Drive along Roxas Boulevard

when the moon has just clocked
out of third shift and the sea horses
are returning to their feeding stables.

Walk the afternoon trees of Taft Avenue
and talk to the mechanics of Sunday
medicine. Ask them for recipes

to cure fire-retardant love. Bask
in the baying of mahogany dogs on Mabini


By That Lake, Whose Gloomy Shore

By that Lake, whose gloomy shore
Sky-lark never warbles o'er,
Where the cliff hangs high and steep,
Young Saint Kevin stole to sleep.
"Here, at least," he calmly said,
"Woman ne'er shall find my bed."
Ah! the good Saint little knew
What that wily sex can do.

'Twas from Kathleen's eyes he flew --
Eyes of most unholy blue!
She had loved him well and long,
Wish'd him hers, nor thought it wrong.
Wheresoe'er the Saint would fly,
Still he heard her light foot nigh;


Calamiterror Section VI

1

Meandering abroad in the Lincolnshire meadows day
Day and day a month perhaps, lying at night lonely,
The early September evening administering a mystery,
The moon executing its wavering sleight of hand, I sense the
Advent of the extraordinary event, the calamiterror,
Turn and encounter the mountain descending upon me
The moment of terror flashes like dead powder
Revealing the features of the mass as mine.

2

Time like a mountain made of my own shadow
Collapsing on me, buries me in my life.


Cairo Jag

Shall I get drunk or cut myself a piece of cake,
a pasty Syrian with a few words of English
or the Turk who says she is a princess--she dances
apparently by levitation? Or Marcelle, Parisienne
always preoccupied with her dull dead lover:
she has all the photographs and his letters
tied in a bundle and stamped Decede in mauve ink.
All this takes place in a stink of jasmin.

But there are the streets dedicated to sleep
stenches and the sour smells, the sour cries
do not disturb their application to slumber


Caesarion

Partly to verify an era,
partly also to pass the time,
last night I picked up a collection
of Ptolemaic epigrams to read.
The plentiful praises and flatteries
for everyone are similar. They are all brilliant,
glorious, mighty, beneficent;
each of their enterprises the wisest.
If you talk of the women of that breed, they too,
all the Berenices and Cleopatras are admirable.

When I had managed to verify the era
I would have put the book away, had not a small
and insignificant mention of king Caesarion


By Their Works

Who cleaned up the Last Supper?
These would be my people.
Maybe hung over, wanting
desperately a better job,
standing with rags
in hand as the window
beckons with hills
of yellow grass. In Da Vinci,
the blue robed apostle
gesturing at Christ
is saying, give Him the check.
What a mess they've made
of their faith. My God
would put a busboy
on earth to roam
among the waiters
and remind them to share
their tips. The woman
who finished one
half eaten olive


But The Artist..

But the artist sat the nude model on the table and moved her legs apart. The girl hardly resisted and merely covered her face with her hands.

Amonova and Strakhova said that first the girl should have been taken off to the bathroom and washed between her legs, as any whiff of such an aroma was simply repulsive.
The girl wanted to jump up but the artist held her back and asked her to take no notice and sit there, just as he had placed her. The girl, not knowing what she was supposed to do, sat back down again.


Burning of the Exeter Theatre

'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.

The play on this night was called "Romany Rye,"
And at act four, scene third, Fire! Fire! was the cry;
And all in a moment flames were seen issuing from the stage,
Then the women screamed frantically, like wild beasts in a cage.

Then a panic ensued, and each one felt dismayed,


Broadway

This is the quiet hour; the theaters
Have gathered in their crowds, and steadily
The million lights blaze on for few to see,
Robbing the sky of stars that should be hers.
A woman waits with bag and shabby furs,
A somber man drifts by, and only we
Pass up the street unwearied, warm and free,
For over us the olden magic stirs.

Beneath the liquid splendor of the lights
We live a little ere the charm is spent;
This night is ours, of all the golden nights,
The pavement an enchanted palace floor,


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