woman

'T was Fultah Fisher's boarding-house,
Where sailor-men reside,
And there were men of all the ports
From Mississip to Clyde,
And regally they spat and smoked,
And fearsomely they lied.

They lied about the purple Sea
That gave them scanty bread,
They lied about the Earth beneath,
The Heavens overhead,
For they had looked too often on
Black rum when that was red.

They told their tales of wreck and wrong,
Of shame and lust and fraud,
They backed their toughest statements with

Lo! The Wild Cow of the Desert, her yeanling estrayed from her --
Lost in the wind-plaited sand-dunes -- athirst in the maze of them.
Hot-foot she follows those foot-prints -- the thrice-tangled ways of them.
Her soul is shut save to one thing -- the love-quest consuming her
Fearless she lows past the camp, our fires affright her not.
Ranges she close to the to the tethered ones -- the mares by the lances held.
Noses she softly apart the veil in the women's tent.
Next -- withdrawn under moonlight, a shadow afar off --

The badger grunting on his woodland track
With shaggy hide and sharp nose scrowed with black
Roots in the bushes and the woods, and makes
A great high burrow in the ferns and brakes.
With nose on ground he runs an awkward pace,
And anything will beat him in the race.
The shepherd's dog will run him to his den
Followed and hooted by the dogs and men.
The woodman when the hunting comes about
Goes round at night to stop the foxes out
And hurrying through the bushes to the chin
Breaks the old holes, and tumbles headlong in.

Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone."

Well, again, in the Nutmeg State,
Dorothy Pratt is richly blest
With a relic of art and a land effete--
A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed
Down in Pelham by Marthy Stone--

For God, our God is a gallant foe
That playeth behind the veil.

I have loved my God as a child at heart
That seeketh deep bosoms for rest,
I have loved my God as a maid to man—
But lo, this thing is best:

To love your God as a gallant foe that plays behind the veil;
To meet your God as the night winds meet beyond Arcturus' pale.

I have played with God for a woman,
I have staked with my God for truth,
I have lost to my God as a man, clear-eyed—
His dice be not of ruth.

Away above a harborful
of caulkless houses
among the charley noble chimneypots
of a rooftop rigged with clotheslines
a woman pastes up sails
upon the wind
hanging out her morning sheets
with wooden pins
O lovely mammal
her nearly naked breasts

Awake, Krishna,
awake the lotus-petals
open the water-lilies droop
the bumblebees have left
the creepers cocks crow,
and birds chirp on the trees.
The cows are in the byre lowing;
they run after their calves;
the moon fades before the sun.
Men and women arise
and joyfully sing their songs;
Krishna, of hands lotus-like awake,
for the day is about to dawn.

FAREWELL is said! Yea, but I cannot take
All that my Greeting gave.
In you hath Hope her doom and Joy her grave;
Still you go crowned with old imaginings,
Clad in the purple that young passion flings
About the sorriest god that Love can make.

Ah! would you might forget, and so pass by
Unwounded of my kiss,
Made free of Youth's unmemorable bliss!
Love's hand that speeds along his daisy chain
Forgets in swift delight to tell again
Old prayers upon a new-strung rosary.

[Book 1]
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features, -- paler, near as grave ;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.
So, nine full years, our days were hid with God
Among his mountains : I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs, -- and suddenly awoke
To full life and life 's needs and agonies,

I cried over beautiful things knowing no beautiful thing lasts.

The field of cornflower yellow is a scarf at the neck of the copper
   sunburned woman, the mother of the year, the taker of seeds.

The northwest wind comes and the yellow is torn full of holes,
   new beautiful things come in the first spit of snow on the northwest wind,
   and the old things go, not one lasts.