world

Alone, at last! Not a sound to be heard but the rumbling of some belated and decrepit cabs. For a few hours
we shall have silence, if not repose. At last the tyranny of the human face has disappeared, and I myself shall be the
only cause of my sufferings.
At last, then, I am allowed to refresh myself in a bath of darkness! First of all, a double turn of the lock. It
seems to me that this twist of the key will increase my solitude and fortify the barricades which at this instant
separate me from the world.

The dark is coming o'er the world, my playmate,
And the fields where poplars stand are very still,
All our groves of green delight have been invaded,
There are voices quite unknown upon the hill;

The wind has grown too weary for a comrade,
It is keening in the rushes spent and low,
Let us join our hands and hasten very softly
To the little, olden, friendly path we know.

The stars are laughing at us, O, my playmate,
Very, very far away in lonely skies,
The trees that were our friends are strangers to us,

It's all so familiar and clear,
My eye's accustomed to every turn;
I'm not mistaken- I'm at home;
The wallpaper flowers, the chains of books...

I don't disturb yesterday's ashes -
The fire here has long gone cold.
Like a snake surveying its molted skin,
I gaze upon what I was.

Though many hymns remain unsung
And many blessings unbestowed,
I sense the glint of a different world,
A chance for new perfection!

I am called to unknown mountain peaks
By the chorus of spring,

What made the porter stare so hard? what made the porter stare
And eye the tall young woman and the bundle that she bare?

What made the tall young woman flush, and strive to hide her face,
As the train slid past the platform and the guard swung in his place?

What made her look so stealthily both up and down the line,
And quickly give the infant suck to still its puny whine?

Why was the sawmill not at work? why were the men away?
They might have turned a woman from a woeful deed that day.

Down in the hollow there’s the whole Brigade
Camped in four groups: through twilight falling slow
I hear a sound of mouth-organs, ill-played,
And murmur of voices, gruff, confused, and low.
Crouched among thistle-tufts I’ve watched the glow
Of a blurred orange sunset flare and fade;
And I’m content. To-morrow we must go
To take some cursèd Wood ... O world God made!


July 3rd, 1916.

19 years old and going nowhere,
I got a ride to Bessemer and walked
the night road toward Birmingham
passing dark groups of men cursing
the end of a week like every week.
Out of town I found a small grove
of trees, high narrow pines, and I
sat back against the trunk of one
as the first rains began slowly.
South, the lights of Bessemer glowed
as though a new sun rose there,
but it was midnight and another shift
tooled the rolling mills. I must
have slept awhile, for someone

An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

He comes to town at Christmas-time,
And braves its icy breath,
To play in that favourite pantomime,
HARLEQUIN LIFE AND DEATH.

A hoary flowing wig his weird
Unearthly cranium caps,
He hangs a long benevolent beard
On a pair of empty chaps.

To smooth his ghastly features down
The actor's art he cribs, -
A long and a flowing padded gown.

With fruit and flowers the board is deckt,
The wine and laughter flow;
I'll not complain--could one expect
So dull a world to know?

You look across the fruit and flowers,
My glance your glances find.--
It is our secret, only ours,
Since all the world is blind.

Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
I was cheered
when I came first to know
that there were flowers also
in hell.
Today
I'm filled with the fading memory of those flowers