star

Grey dawn on the sand-hills -- the night wind has drifted
All night from the rollers a scent of the sea;
With the dawn the grey fog his battalions has lifted,
At the call of the morning they scatter and flee.
Like mariners calling the roll of their number
The sea-fowl put out to the infinite deep.
And far overhead -- sinking softly to slumber --
Worn out by their watching the stars fall asleep.

To eastward, where rests the broad dome of the skies on
The sea-line, stirs softly the curtain of night;

Paris, August, 1865

I stand at the break of day
In the Champs Elysees.
The tremulous shafts of dawning
As they shoot o'er the Tuileries early,
Strike Luxor's cold gray spire,
And wild in the light of the morning
With their marble manes on fire,
Ramp the white Horses of Marly.

But the Place of Concord lies
Dead hushed 'neath the ashy skies.
And the Cities sit in council
With sleep in their wide stone eyes.
I see the mystic plain
Where the army of spectres slain

Sun of the sleepless! melancholy star!
Whose tearful beam glows tremulously far,
That show'st the darkness thou canst not dispel,
How like art thou to joy remember'd well!

So gleams the past, the light of other days,
Which shines, but warms not with its powerless rays;
A night-beam Sorrow watcheth to behold,
Distinct but distant -- clear -- but, oh how cold!

Phoebus, arise!
And paint the sable skies
With azure, white, and red:
Rouse Memnon's mother from her Tithon's bed
That she may thy career with roses spread:
The nightingales thy coming each-where sing:
Make an eternal spring!
Give life to this dark world which lieth dead;
Spread forth thy golden hair
In larger locks than thou wast wont before,
And emperor-like decore
With diadem of pearl thy temples fair:
Chase hence the ugly night
Which serves but to make dear thy glorious light.

Summer night--
even the stars
are whispering to each other.


Translated by Robert Hass

Athwart the star-lit midnight sky
Luminous fleecy clouds drift by,
As the mysterious, pallid moon
Sinks in the waveless still lagoon.
Now that the queen of night is dead,
The starry commonwealth o'erhead
(Softer and fairer than gaudy day)
Sheds lustrous light from the Milky Way;
While the Dog-star gleams, and the Sisters Seven,
Float tremulously in the misty heaven.
Faintly, afar the horse-bells ring;
Myriads of wakened crickets sing;
And the spirit voices of the night

That one long dirge-moan sad and deep,
Low, muffled by the solemn stress
Of such emotion as doth steep
The soul in brooding quietness,
Befits our anguished time too well,
Whose Life-march is a funeral knell.

Dirge for a mighty Creed outworn-
Its spirit fading from the earth,
Its mouldering body left forlorn:
Weak idol! feeding scornful mirth
In shallow hearts; divine no more
Save to some ignorant pagan poor;

And some who know how by Its light
The past world well did walk and live,

Napoleon shifted,
Restless in the old sarcophagus
And murmured to a watchguard:
"Who goes there?"
"Twenty-one million men,
Soldiers, armies, guns,
Twenty-one million
Afoot, horseback,
In the air,
Under the sea."
And Napoleon turned to his sleep:
"It is not my world answering;
It is some dreamer who knows not
The world I marched in
From Calais to Moscow."
And he slept on
In the old sarcophagus
While the aeroplanes
Droned their motors
Between Napoleon's mausoleum

When along the pavement,
Palpitating flames of life,
People flicker round me,
I forget my bereavement,
The gap in the great constellation,
The place where a star used to be.

Nay, though the pole-star
Is blown out like a candle,
And all the heavens are wandering in disarray,
Yet when pleiads of people are
Deployed around me, and I see
The street’s long outstretched Milky Way,

When people flicker down the pavement,
I forget my bereavement.

I knew that James Whistler was part of the Paris scene,
but I was still surprised when I found the painting
of his mother at the Musée d'Orsay
among all the colored dots and mobile brushstrokes
of the French Impressionists.

And I was surprised to notice
after a few minutes of benign staring,
how that woman, stark in profile
and fixed forever in her chair,
began to resemble my own ancient mother
who was now fixed forever in the stars, the air, the earth.

You can understand why he titled the painting