
Dark and deep silence a canvass
or disguise beneath metal black ink sky
I whisper to myself about intrigue
which might erupt into invisible cacophonies
after midnight omen ice-rim sighs
bright spark lumen globe this sentry
on perioheral hair-raising night watch
observant spooky glow post solemn
but visual peer gazer blind side to
that vacuum setting, ghosts of nought and crosses
yet unseen for wee small hour universe
one basks in rebound footsteps caged
by their own evanescent halo
charcoal shadows impishly toss otherworld secrets
dead nocturne hush, witching hour eventide of void
image-prone stifle upon quirky quietude
where gothic picture lull maybe
squint-window fandangle prescience,
to Edgar Allen peephole when macabre
instinct sixth sense hoists a dim plot
The above work is Ekphrasis.
Ekphrasis, alternately spelled ecphrasis, is a term used to denote poetry or poetic writing concerning itself with the visual arts, artistic objects, and/or highly visual scenes. This style of writing is characteristic in such works as Keats' "Ode on a Grecian Urn," Byron's Childe Harold's Pilgrimage, and Shelley's "On the Medusa of Leonardo da Vinci in the Florentine Gallery
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