And the One Breath

In time I will be dying and at the moment
I never am. And in time I will remember
every least crumb of indignity or love
I had in Babylon and Rigel. But lying here
now, I know nothing—not you—but yes your hair
snuffed in my eyes dark and the one breath you are always
drawing in, and these words mysteriously I know,
and my body's length and curve, and a caul of air.











From Poetry Magazine, Vol. 185, no. 4, Jan. 2005. Used with permission.

The Message

Send home my long strayd eyes to mee,
Which (Oh) too long have dwelt on thee;
Yet since there they have learn'd such ill,
Such forc'd fashions,
And false passions,
That they be
Made by thee
Fit for no good sight, keep them still.

Send home my harmlesse heart againe,
Which no unworthy thought could staine;
But if it be taught by thine
To make jestings
Of protestings,
And crosse both
Word and oath,
Keepe it, for then 'tis none of mine.

Yet send me back my heart and eyes,

The Two Coffins

In yonder old cathedral
Two lovely coffins lie;
In one, the head of the state lies dead,
And a singer sleeps hard by.

Once had that King great power
And proudly ruled the land—
His crown e'en now is on his brow
And his sword is in his hand.

How sweetly sleeps the singer
With calmly folded eyes,
And on the breast of the bard at rest
The harp that he sounded lies.

The castle walls are falling
And war distracts the land,
But the sword leaps not from that mildewed spot

Friar's Song

Some love the matin-chimes, which tell
The hour of prayer to sinner:
But better far's the mid-day bell,
Which speaks the hour of dinner;
For when I see a smoking fish,
Or capon drown'd in gravy,
Or noble haunch on silver dish,
Full glad I sing my Ave

My pulpit is an alehouse bench,
Whereon I sit so jolly;
A smiling rosy country wench
My saint and patron holy
I kiss her cheek so red and sleek,
I press her ringlets wavy,
And in her willing ear I speak
A most religious Ave

The Decay of a People

This the true sign of ruin to a race—
It undertakes no march, and day by day
Drowses in camp, or, with the laggard's pace,
Walks sentry o'er possessions that decay;
Destined, with sensible waste, to fleet away;—
For the first secret of continued power
Is the continued conquest;—all our sway
Hath surety in the uses of the hour;
If that we waste, in vain walled town and lofty tower!

The Trap

She was taught desire in the street,
Not at the angels' feet.
By the good no word was said
Of the worth of the bridal bed.
The secret was learned from the vile,
Not from her mother's smile.
Home spoke not. And the girl
Was caught in the public whirl.
Do you say, “She gave consent:
Life drunk, she was content
With beasts that her fire could please”?
But she did not choose disease
Of mind and nerves and breath.
She was trapped to a slow, foul death.
The door was watched so well,
That the steep dark stair to hell

I thank you, kind and best belovëd friend

I THANK you, kind and best belovëd friend,
With the same thanks one murmurs to a sister,
When, for some gentle favor, he hath kissed her,
Less for the gifts than for the love you send,
Less for the flowers than what the flowers convey,
If I, indeed, divine their meaning truly,
And not unto myself ascribe, unduly,
Things which you neither meant nor wished to say,
Oh! tell me, is the hope then all misplaced?
And am I flattered by my own affection?
But in your beauteous gift, methought I traced

Passage in the Morlae Encomium of Erasmus Imitated

In awful pomp, and melancholy state,
See settled Reason on the judgment seat;
Around her crowd Distrust, and Doubt, and Fear,
And thoughtful Foresight, and tormenting Care:
Far from the throne, the trembling Pleasures stand,
Chain'd up, or exil'd by her stern command.
Wretched her subjects, gloomy sits the queen;
Till happy Chance reverts the cruel scene:
And apish Folly with her wild resort
Of wit and jest disturbs the solemn court.
See the fantastic minstrelsy advance,
To breathe the song, and animate the dance.

Lines, Written on the Sixth of September

Ill-fated hour! oft as thy annual reign
Leads on th' autumnal tide, my pinion'd joys
Fade with the glories of the fading year;
“Remembrance wakes, with all her busy train,”
And bids affection heave the heart-drawn sigh
O'er the cold tomb, rich with the spoils of death,
And wet with many a tributary tear!

Eight times has each successive season sway'd
The fruitful sceptre of our milder clime
Since my loved——died! but why, ah! why
Should melancholy cloud my early years?
Religion spurns earth's visionary scene,

The Lady Prayeth the Return of Her Lover Abiding on the Seas

Shall I thus ever long, and be no whit the near,
And shall I still complain to thee, the which me will not hear?
Alas say nay, say nay, and be no more so dumb,
But open thou thy manly mouth, and say that thou wilt come;
Whereby my heart may think, although I see not thee,
That thou wilt come, thy word so sware, if thou a livesman be.

The roaring hugey waves, they threaten my poor ghost,
And toss thee up and down the seas, in danger to be lost.
Shall they not make me fear that they have swallowed thee?

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