A Sketch from Life

She sat in beauty, like some form of nymph
Or naïad, on the mossy, purpled bank
Of her wild woodland stream, that at her feet
Linger'd, and play'd, and dimpled, as in love.
Or like those shapes that on the western clouds
Spread gold-dropp'd plumes, and sing to harps of pearl,
And teach the evening winds their melody:
How shall I tell her beauty?—for the eye,
Fix'd on the sun, is blinded by its beam.
One glance, and then no more, upon that brow
Brighter than marble shining through those curls,

A Petition

To spring belongs the violet, and the blown
Spice of the roses let the summer own.
Grant me this favor, Muse—all else withhold—
That I may not write verse when I am old.

And yet I pray you, Muse, delay the time!
Be not too ready to deny me rhyme;
And when the hour strikes, as it must, dear Muse,
I beg you very gently break the news.

To My Bride—

Oh! little maid!—(I do not know your name
Or who you are, so, as a safe precaution
I'll add)—Oh, buxom widow! married dame!
(As one of these must be your present portion)
Listen, while I unveil prophetic lore for you,
And sing the fate that Fortune has in store for you.

You'll marry soon—within a year or twain—
A bachelor of CIRCA two and thirty:
Tall, gentlemanly, but extremely plain,
And when you're intimate, you'll call him “BERTIE.”.
Neat—dresses well; his temper has been classified
As hasty; but he's very quickly pacified.

Prologue to “London Nights”

My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.

'Tis I that smoke this cigarette,
Lounge here, and laugh for vacancy,
And watch the dancers turn; and yet
It is my very self I see
Across the cloudy cigarette.

My very self that turns and trips,
Painted, pathetically gay,
An empty song upon the lips
In make-believe of holiday:
I, I, this thing that turns and trips!

Womanhood, Wanton, Ye Want

Womanhood , wanton, ye want:
Your meddling, mistress, is mannerless;
Plenty of ill, of goodness scant,
Ye rail at riot, reckless:
To praise your port it is needless;
For all your draff yet and your dregs,
As well borne as ye full oft time begs.

Why so coy and full of scorn?
Mine horse is sold, I ween, you say;
My new furréd gown, when it is worn . . .
Put up your purse, ye shall not pay!
By crede, I trust to see the day,
As proud a pea-hen as ye spread,
Of me and other ye may have need!

The Passing of Cadieux

That man is brave who at the nod of fate
Will lay his life a willing offering down,
That they who loved him may know length of days;
May stay awhile upon this pleasant earth
Drinking its gladness and its vigour in,
Though he himself lie silent evermore,
Dead to the gentle calling of the Spring,
Dead to the warmth of Summer; wrapt in dream
So deep, so far, that never dreamer yet
Has waked to tell his dream. Men there may be
Who, careless of its worth, toss life away,
A counter in some feverish game of chance,

The Graduate Leaving College

What summons do I hear?
The morning peal, departure's knell;
My eyes let fall a friendly tear,
And bid this place farewell.

Attending servants come,
The carriage wheels like thunders roar,
To bear the pensive seniors home,
Here to be seen no more.

Pass one more transient night,
The morning sweeps the College clean;
The graduate takes his last long flight,
No more in College seen.

The bee, in which courts the flower,
Must with some pain itself employ,
And then fly, at the day's last hour,

To Robert Barber Esq; Deputy to the Treasurer's Remembrancer in the Court of Exchequer

Whilst Gay's unhappy Fate thy Ear attends,
Thy Heart, indignant, scorns his faithless Friends,
Thy gen'rous Heart, which never learnt the Way,
A Friend or to deceive, or to betray:
With Honour and Integrity so blest,
Not Law, infectious, can pollute thy Breast:

With Justice and Humanity endow'd,
You shine, distinguish'd, 'midst a venal Croud.

The Fat Woman

Massed in her creaseless black,
She sits—vast and serene;
Light—on glossed hair, large knees,
Huge bust—a-sheen.

A smile lurks deep in her eyes,
Thick-lidded, motionless, pale,
Taunting a world grown old,
Faded, and stale.

Enormous those childless breasts:
God in His pity knows
Why, in her bodice stuck,
Reeks a mock rose.

Translated out of the Diana of Monte-Maior

What changes here, O haire,
I see, since I saw you!
How ill fits you this greene to weare,
For hope the colour due!
Indeed, I well did hope,
Though hope were mixte with feare,
No other shepheard should haue scope
Once to approch this heere.

Ah, haire, how many dayes
My Diane made me shew,
With thousand pretty childish plaies,
If I ware you or no!
Alas, how oft with teares,—
O teares of guilefull breast!—
She seemèd full of iealous feares,
Whereat I did but ieast.

Tell me, O haire of gold,

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