Not human art, but living gods alone
Can fashion beauties that by changing live,--
Her buds to spring, his fruits to autumn give,
To earth her fountains in her heart of stone;
But these in their begetting are o'erthrown,
Nor may the sentenced minutes find reprieve;
And summer in the blush of joy must grieve
To shed his flaunting crown of petals blown.
We to our works may not impart our breath,
Nor them with shifting light of life array;
We show but what one happy moment saith;
Yet may our hands immortalize the day

The power of Armies is a visible thing,
Formal, and circumscribed in time and space;
But who the limits of that power shall trace
Which a brave People into light can bring
Or hide, at will,--for freedom combating
By just revenge inflamed? No foot may chase,
No eye can follow, to a fatal place
That power, that spirit, whether on the wing
Like the strong wind, or sleeping like the wind
Within its awful caves.--From year to year
Springs this indigenous produce far and near;
No craft this subtle element can bind,

No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.

Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid

Take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.

In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.

Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.

The want that saps their sinless flower

Carven in leathern mask or brazen face,
Were I time's sculptor, I would set this man.
Retreating from the truth, his hawk-eyes scan
The platforms of all public thought for place.
There wriggling with insinuating grace,
He takes poor hope and effort by the hand,
And flatters with half-truths and accents bland,
Till even zeal and earnest love grow base.

Knowing no right, save power's grim right-of-way;
No nobleness, save life's ignoble praise;
No future, save this sordid day to day;

He lies on his back, the idling smith,
A lazy, dreaming fellow is he;
The sky is blue, or the sky is gray,
He lies on his back the livelong day,
Not a tool in sight, say what they may,
A curious sort of smith is he.

The powers of the air are in league with him;
The country around believes it well;
The wondering folk draw spying near;
Never sight nor sound do they see or hear;
No wonder they feel a little fear;
When is it his work is done so well?

Never sight nor sound to see or hear;

The Poet's dead! - a slave to honor -
He fell, by rumor slandered,
Lead in his breast and thirsting for revenge,
Hanging his proud head!...
The Poet's soul could not endure
Petty insult's disgrace.
Against society he rose,
Alone, as always...and was slain!
Slain!...What use is weeping now,
The futile chorus of empty praise
Excuses mumbled full of pathos?
Fate has pronounced its sentence!
Was it not you who spitefully
Rebuffed his free, courageous gift
And for your own amusement fanned
The nearly dying flame?

The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation
Love, blind, adoring, overflowing

ABOVE yon sombre swell of land
   Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
   And over that a vein of blue.

The air is cold above the woods;
   All silent is the earth and sky,
Except with his own lonely moods
   The blackbird holds a colloquy.

Over the broad hill creeps a beam,
   Like hope that gilds a good man's brow;
And now ascends the nostril-stream
   Of stalwart horses come to plough.

Play on thy mother's bosom, babe, for in that holy isle
The error cannot find thee yet, the grieving, nor the guile;
Held in thy mother's arms above life's dark and troubled wave,
Thou lookest with thy fearless smile upon the floating grave.
Play, loveliest innocence!--Thee yet Arcadia circles round,
A charmed power for thee has set the lists of fairy ground;
Each gleesome impulse Nature now can sanction and befriend,
Nor to that willing heart as yet the duty and the end.