The yellow poplar leaves have strown
Thy quiet mound, thou slumberest
Where winter's winds will be unknown;
So deep thy rest,
So deep thy rest.

Sleep on, my love, thy dreams are sweet,
If thou hast dreams: the flowers I brought
I lay aside for passing feet,
Thou needest nought,
Thou needest, needest nought.

The grapes are gather'd from the hills,
The wood is piled, the song bird gone,
The breath of early evening chills;
My love, my love, sleep on;
My love, my love, sleep on

Over the meadows, and down the stream,

And through the garden-walks straying,
He plucks the flowers that fairest seem;

His throbbing heart brooks no delaying.
His maiden then comes--oh, what ecstasy!
Thy flowers thou giv'st for one glance of her eye!

The gard'ner next door o'er the hedge sees the youth:
"I'm not such a fool as that, in good truth;
My pleasure is ever to cherish each flower,
And see that no birds my fruit e'er devour.
But when 'tis ripe, your money, good neighbour!
'Twas not for nothing I took all this labour!"

WHAT can we give in return
For her beauty and mystery
Of flowering forest, infinite plain,
Deep sky and distant mountain-chain,
And her triumphant sea,
Thundering old songs of liberty?

Love—steadfast as her stars,
And passionate as her sun,
And joyous as the winds, that fling
The golden petals of her spring
By gully, spur, and run,
On dreaming age, and little one:

Courage—when courage fails
In the blind smoke and pain

HARK! hark! the lark at heaven's gate sings,
   And Phoebus 'gins arise,
His steeds to water at those springs
   On chaliced flowers that lies;
And winking Mary-buds begin
   To ope their golden eyes:
With everything that pretty bin,
   My lady sweet, arise!
   Arise, arise!

JANE, Jane,
Tall as a crane,
The morning light creaks down again;

Comb your cockscomb-ragged hair,
Jane, Jane, come down the stair.

Each dull blunt wooden stalactite
Of rain creaks, hardened by the light,

Sounding like an overtone
From some lonely world unknown.

But the creaking empty light
Will never harden into sight,

Will never penetrate your brain
With overtones like the blunt rain.

The light would show (if it could harden)
Eternities of kitchen garden,

To sit and watch the wavelets as they flow
Two - side by side;
To see the gliding clouds that come and
And mark them glide;

If from low roofs the smoke is wreathing pale,
To watch it wreath;
If flowers around breathe perfume on the gale,
To feel them breathe;

If the bee sips the honeyed fruit that glistens,
To sip the dew;
If the bird warbles while the forest listens,
To listen too;

Beneath the willow where the brook is singing,
To hear its song;
Nor feel, while round us that sweet dream is clinging

[One of the Bearers Soliloquizes:]

. . . Room in your heart for him, O Mother Earth,
Who loved each flower and leaf that made you fair,
And sang your praises in verses manifold
And delicate, with here and there a line
From end to end in blossom like a bough
The May breathes on, so rich it was. Some thought
The workmanship more costly than the thing
Moulded or carved, as in those ornaments
Found at Mycæne. And yet Nature's self
Works in this wise; upon a blade of grass,
Or what small note she lends the woodland thrush,

All actors look for them-the defining moments
When what a character does is what he is.
The script may say, He goes to the door
And exits or She goes out the door stage left.

But you see your fingers touching the doorknob,
Closing around it, turning it
As if by themselves. The latch slides
Out of the strike-plate, the door swings on its hinges,
And you're about to take that step
Over the threshold into a different light.

For the audience, you may simply be
Disappearing from the scene, yet in those few seconds

Over and back,
the long waves crawl
and track the sand with foam;
night darkens, and the sea
takes on that desperate tone
of dark that wives put on
when all their love is done.

Over and back,
the tangled thread falls slack,
over and up and on;
over and all is sewn;
now while I bind the end,
I wish some fiery friend
would sweep impetuously
these fingers from the loom.

My weary thoughts
play traitor to my soul,
just as the toil is over;
swift while the woof is whole,

It's all so familiar and clear,
My eye's accustomed to every turn;
I'm not mistaken- I'm at home;
The wallpaper flowers, the chains of books...

I don't disturb yesterday's ashes -
The fire here has long gone cold.
Like a snake surveying its molted skin,
I gaze upon what I was.

Though many hymns remain unsung
And many blessings unbestowed,
I sense the glint of a different world,
A chance for new perfection!

I am called to unknown mountain peaks
By the chorus of spring,
And these letters from a woman