LEAVE me a little while alone,
Here at his grave that still is strown
With crumbling flower and wreath;
The laughing rivulet leaps and falls,
The thrush exults, the cuckoo calls,
And he lies hush’d beneath.

With myrtle cross and crown of rose,
And every lowlier flower that blows,
His new-made couch is dress’d;
Primrose and cowslip, hyacinth wild,
Gather’d by monarch, peasant, child,
A nation’s grief attest.

I stood not with the mournful crowd
That hither came when round his shroud

It was a day of sun and rain,
Uncertain as a child's swift moods;
And I shall never spend again
So blithe a day among the woods.

Was it because the Gods were pleased
That they were awful in our eyes,
Whom we in very deed appeased
With barley-cakes of sacrifice?

The forest knew her and was glad,
And laughed for very joy to know
Her child was with her; then, grown sad,
She wept, because her child must go.

And Alice, like a little Faun,
Went leaping over rocks and ferns,

I listen for him through the rain,
And in the dusk of starless hours
I know that he will come again;
Loth was he ever to forsake me:
He comes with glimmering of flowers
And stir of music to awake me.

Spirit of purity, he stands
As once he lived in charm and grace:
I may not hold him with my hands,
Nor bid him stay to heal my sorrow;
Only his fair, unshadowed face
Abides with me until to-morrow.

At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL

AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake

I should have thought
in a dream you would have brought
some lovely, perilous thing,
orchids piled in a great sheath,
as who would say (in a dream),
"I send you this,
who left the blue veins
of your throat unkissed."

Why was it that your hands
(that never took mine),
your hands that I could see
drift over the orchid-heads
so carefully,
your hands, so fragile, sure to lift
so gently, the fragile flower-stuff--
ah, ah, how was it

You never sent (in a dream)
the very form, the very scent,

With fruit and flowers the board is deckt,
The wine and laughter flow;
I'll not complain--could one expect
So dull a world to know?

You look across the fruit and flowers,
My glance your glances find.--
It is our secret, only ours,
Since all the world is blind.

You that do search for every purling spring
Which from the ribs of old Parnassus flows,
And every flower, not sweet perhaps, which grows
Near thereabouts, into your poesy wring;
Ye that do dictionary's method bring
Into your rimes, running in rattling rows;
You that poor Petrarch's long-deceased woes
With new-born sighs and denizen'd wit do sing:
You take wrong ways; those far-fet helps be such
As do bewray a want of inward touch,
And sure, at length stol'n goods do come to light.

ASTROPHEL AND STELLA: III
Let dainty wits cry on the sisters nine,
That, bravely mask'd, their fancies may be told;
Or, Pindar's apes, flaunt they in phrases fine,
Enam'ling with pied flowers their thoughts of gold.
Or else let them in statelier glory shine,
Ennobling newfound tropes with problems old;
Or with strange similes enrich each line,
Of herbs or beasts which Ind or Afric hold.
For me, in sooth, no Muse but one I know;
Phrases and problems from my reach do grow,

A Pastorall Elegie vpon the death of the most Noble and valorous Knight, Sir Philip Sidney.

Dedicated To the most beautifull and vertuous Ladie, the Countesse of Essex.

Shepheards that wont on pipes of oaten reed,
Oft times to plaint your loues concealed smart:
And with your piteous layes haue learnd to breed
Compassion in a countrey lasses hart.
Hearken ye gentle shepheards to my song,
And place my dolefull plaint your plaints emong.
To you alone I sing this mournfull verse,
The mournfulst verse that euer man heard tell:

The Poet took his walking-stick
Of fine and polished ebony.
Set in the close-grained wood
Were quaint devices;
Patterns in ambers,
And in the clouded green of jades.
The top was smooth, yellow ivory,
And a tassel of tarnished gold
Hung by a faded cord from a hole
Pierced in the hard wood,
Circled with silver.
For years the Poet had wrought upon this cane.
His wealth had gone to enrich it,
His experiences to pattern it,
His labour to fashion and burnish it.
To him it was perfect,
A work of art and a weapon,