hope

In the endless nights, from my bed, where sleepless in anguish I lie,
I startle the stillness and gloom with a bitter and strong cry:
0 Love! 0 Beloved long lost! come down from thy Heaven above,
For my heart is wasting and dying in uttermost famine for love!

Come down for a moment! oh, come! Come serious and mild
And pale, as thou wert on this earth, thou adorable Child!
Or come as thou art, with thy sanctitude, triumph and bliss,
For a garment of glory about thee; and give me one kiss,

When Londons fatal bills were blown abroad
And few but Specters travel'd on the road,
Not towns but men in the black bill enrol'd
Were in Gazetts by Typographers sold:
But our Gazetts without Errataes must
Report the plague of towns reduct to dust:
And feavers formerly to tenants sent
Arrest the timbers of the tenement.
Ere the late ruines of old Groton's cold,
Of Marlbury's peracute disease we're told.
The feet of such who neighbouring dwellings urnd
Unto her ashes, not her doors return'd

Long night succeeds thy little day;
Oh blighted blossom! can it be,
That this grey stone, and grassy clay,
Have clos'd our anxious care of thee?

The half-form'd speech of artless thought
That spoke a mind beyond thy years;
The song, the dance, by nature taught;
The sunny smiles, the transient tears;

The symmetry of face and form,
The eye with light and life replete;
The little heart so fondly warm,
The voice so musically sweet;

These, lost to hope, in memory yet

Slayer of the winter, art thou here again?
O welcome, thou that's bring'st the summer nigh!
The bitter wind makes not thy victory vain,
Nor will we mock thee for thy faint blue sky.
Welcome, O March! whose kindly days and dry
Make April ready for the throstle's song,
Thou first redresser of the winter's wrong!

Yea, welcome March! and though I die ere June,
Yet for the hope of life I give thee praise,
Striving to swell the burden of the tune
That even now I hear thy brown birds raise,

This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.

In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude

No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
Then he is.

But when I say Success I mean the sublimated kind;

They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.

Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.

Actually, they are the real artists,
you said, spinning the ice in your glass.

O lady! if, until this hour,
I've gazed in those bewildering eyes,
Yet never owned their touching power,
But when thou couldst not hear my sighs;
It has not been that love has slept
One single moment in my soul,
Or that on lip or look I kept
A stern and stoical control;
But that I saw, but that I felt,
In every tone and glance of thine,
Whate'er they spoke, where'er they dwelt,
How small, how poor a part was mine;
And that I deeply, dearly knew,
THAT hidden, hopeless love confessed,

Heark, how she laughs aloud,
Although the world put on its shrowd:
Wept at by the fantastic crowd,
Who cry: one drop, let fall
From her, might save the universal ball.
She laughs again
At our ridiculous pain;
And at our merry misery
She laughs, until she cry.
Sages, forbear
That ill-contrived tear,
Although your fear
Doth barricado hope from your soft ear.
That which still makes her mirth to flow,
Is our sinister-handed woe,
Which downwards on its head doth go,

As Love and Hope together
Walk by me for a while,
Link-armed the ways they travel
For many a pleasant mile -
Link-armed and dumb they travel,
They sing not, but they smile.
II
Hope leaving, Love commences
To practise on the lute;
And as he sings and travels
With lingering, laggard foot,
Despair plays obligato
The sentimental flute.
III
Until in singing garments
Comes royally, at call -
Comes limber-hipped Indiff'rence
Free stepping, straight and tall -