light

CARE is a Poet fine:
He works in shade or shine,
And leaves—you know his sign!—
No day without its line.

He writes with iron pen
Upon the brows of men;
Faint lines at first, and then
He scores them in again.

His touch at first is light
On Beauty’s brow of white;
The old churl loves to write
On foreheads broad and bright.

A line for young love crossed,
A line for fair hopes lost
In an untimely frost—
A line that means Thou Wast.

Then deeper script appears:

Down, you mongrel, Death!
Back into your kennel!
I have stolen breath
In a stalk of fennel!
You shall scratch and you shall whine
Many a night, and you shall worry
Many a bone, before you bury
One sweet bone of mine!

When shall I be dead?
When my flesh is withered,
And above my head
Yellow pollen gathered
All the empty afternoon?
When sweet lovers pause and wonder
Whom am I that lie thereunder,
Hidden from the moon?

This my personal death?—
That my lungs be failing

There was strength in him and the weak won freely from it,
There was an infinite pity, and hard hearts grew soft thereby,
There was truth so unshrinking and starry-shining,
Men read clear by its light and learned to scorn a lie.

His were songs so full of a wholesome laughter
Those whose courage was ashen found it once more aflame,
His was a child-like faith and wandering feet were guided,
His was a hope so joyous despair was put to shame.

His was the delicate insight and his the poignant vision

The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation

LAST night I saw the Pleiades again,
Faint as a drift of steam
From some tall chimney-stack;
And I remembered you as you were then:
Awoke dead worlds of dream,
And Time turned slowly back.

I saw the Pleiades through branches bare,
And close to mine your face
Soft glowing in the dark;
For Youth and Hope and Love and You were there
At our dear trysting-place
In that bleak London park.

And as we kissed the Pleiades looked down

I was alone with a chair on a plain
Which lost itself in an empty horizon.

The plain was flawlessly paved.
Nothing, absolutely nothing but the chair and I
were there.

The sky was forever blue,
No sun gave life to it.

An inscrutable, insensible light
illuminated the infinite plain.

To me this eternal day seemed to be projected --
artificially-- from a different sphere.

I was never sleepy nor hungry nor thirsty,
never hot nor cold.

In England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.

'Tis noon of night; the sable clouds,
Hang weeping in the sky;
Alone I sit, where fancies flit
Like spectral shadows by.
Me thinks I see familiar forms,
And on before them all--
So fair, so calm, so wondrous like, wondrous like
The picture on the wall.

Among the brave and loyal,
How many lov'd ones fall!
Whose friends bereft,
Have only left, only left
A picture on the wall.

I hear the press of eager feet,
Upon my parlor floor;
A moment, and my willing arms

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,

Truth-loving Persians do not dwell upon
The trivial skirmish fought near Marathon.
As for the Greek theatrical tradition
Which represents that summer's expedition
Not as a mere reconnaisance in force
By three brigades of foot and one of horse
(Their left flank covered by some obsolete
Light craft detached from the main Persian fleet)
But as a grandiose, ill-starred attempt
To conquer Greece - they treat it with contempt;
And only incidentally refute
Major Greek claims, by stressing what repute