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The Petition for an Absolute Retreat

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,

The Persian Version

Truth-loving Persians do not dwell upon
The trivial skirmish fought near Marathon.
As for the Greek theatrical tradition
Which represents that summer's expedition
Not as a mere reconnaisance in force
By three brigades of foot and one of horse
(Their left flank covered by some obsolete
Light craft detached from the main Persian fleet)
But as a grandiose, ill-starred attempt
To conquer Greece - they treat it with contempt;
And only incidentally refute
Major Greek claims, by stressing what repute
The Persian monarch and the Persian nation

The Perfect Marriage

I

I hate this yoke; for the world's sake here put it on:
Knowing 'twill weigh as much on you till life is gone.
Knowing you love your freedom dear, as I love mine—
Knowing that love unchained has been our life's great wine:
Our one great wine (yet spent too soon, and serving none;
Of the two cups free love at last the deadly one).


II

We grant our meetings will be tame, not honey-sweet
No longer turning to the tryst with flying feet.
We know the toil that now must come will spoil the bloom

The Pentagram

[Dedicated to George Raffalovich]


In the Years of the Primal Course, in the dawn of terrestrial
birth,
Man mastered the mammoth and horse, and Man was the
Lord of the Earth.

He made him an hollow skin from the heart of an holy tree,
He compassed the earth therien, and Man was the Lord of
the Sea.

He controlled the vigour of steam, he harnessed the light-
ning for hire;
He drove the celestial team, and man was the Lord of the
Fire.

Deep-mouthed from their thrones deep-seated, the choirs
of the æeons declare

The Passion

I

Erewhile of music, and ethereal mirth,
Wherewith the stage of Air and Earth did ring,
And joyous news of heavenly Infant’s birth,
My muse with Angels did divide to sing;
But headlong joy is ever on the wing,
In wintry solstice like the shortened light
Soon swallowed up in dark and long outliving night.

II

For now to sorrow must I tune my song,
And set my Harp to notes of saddest woe,
Which on our dearest Lord did seize ere long,
Dangers, and snares, and wrongs, and worse than so,

The Passing of Love

O God, forgive me that I ranged
My live into a dream of love!
Will tears of anguish never wash
The passion from my blood?

Love kept my heart in a song of joy,
My pulses quivered to the tune;
The coldest blasts of winter blew
Upon me like sweet airs in June.

Love floated on the mists of morn
And rested on the sunset’s rays;
He calmed the thunder of the storm
And lighted all my ways.

Love held me joyful through the day
And dreaming ever through the night;
No evil thing could come to me,
My spirit was so light.

The Parting 2

1

The lady of Alzerno's hall
Is waiting for her lord;
The blackbird's song, the cuckoo's call
No joy to her afford.
She smiles not at the summer's sun,
Nor at the winter's blast;
She mourns that she is still alone
Though three long years have passed.

2

I knew her when her eye was bright,
I knew her when her step was light
And blithesome as a mountain doe's,
And when her cheek was like the rose,
And when her voice was full and free,
And when her smile was sweet to see.

3

The Parting

1

The chestnut steed stood by the gate
His noble master's will to wait,
The woody park so green and bright
Was glowing in the morning light,
The young leaves of the aspen trees
Were dancing in the morning breeze.
The palace door was open wide,
Its lord was standing there,
And his sweet lady by his side
With soft dark eyes and raven hair.
He smiling took her wary hand
And said, 'No longer here I stand;
My charger shakes his flowing mane
And calls me with impatient neigh.
Adieu then till we meet again,

The Pardah Nashin

HER life is a revolving dream
Of languid and sequestered ease;
Her girdles and her fillets gleam
Like changing fires on sunset seas;
Her raiment is like morning mist,
Shot opal, gold and amethyst.


From thieving light of eyes impure,
From coveting sun or wind's caress,
Her days are guarded and secure
Behind her carven lattices,
Like jewels in a turbaned crest,
Like secrets in a lover's breast.


But though no hand unsanctioned dares
Unveil the mysteries of her grace,
Time lifts the curtain unawares,

The Paradox

No Lover saith, I love, nor any other
Can judge a perfect Lover;
Hee thinkes that else none can, nor will agree
That any loves but hee;
I cannot say I'lov'd. for who can say
Hee was kill'd yesterday?
Lover withh excesse of heat, more yong than old,
Death kills with too much cold;
Wee dye but once, and who lov'd last did die,
Hee that saith twice, doth lye:
For though hee seeme to move, and stirre a while,
It doth the sense beguile.
Such life is like the light which bideth yet
When the lights life is set,