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The Painted Ceiling

My Grandpapa lives in a wonderful house
With a great many windows and doors,
There are stairs that go up, and stairs that go down,
And such beautiful, slippery floors.

But of all of the rooms, even mother's and mine,
And the bookroom, and parlour and all,
I like the green dining-room so much the best
Because of its ceiling and wall.

Right over your head is a funny round hole
With apples and pears falling through;
There's a big bunch of grapes all purply and sweet,
And melons and pineapples too.

The Pains Of Sleep

Ere on my bed my limbs I lay,
It hath not been my use to pray
With moving lips or bended knees ;
But silently, by slow degrees,
My spirit I to Love compose,
In humble trust mine eye-lids close,
With reverential resignation,
No wish conceived, no thought exprest,
Only a sense of supplication ;
A sense o'er all my soul imprest
That I am weak, yet not unblest,
Since in me, round me, every where
Eternal Strength and Wisdom are.

But yester-night I prayed aloud
In anguish and in agony,
Up-starting from the fiendish crowd

The Outlaw

O, Brignall banks are wild and fair,
And Greta woods are green,
And you may gather garlands there,
Would grace a summer queen:
And as I rode by Dalton Hall,
Beneath the turrets high,
A Maiden on the castle wall
Was singing merrily:—

'O, Brignall banks are fresh and fair,
And Greta woods are green!
I'd rather rove with Edmund there
Than reign our English Queen.'

'If, Maiden, thou wouldst wend with me
To leave both tower and town,

The Other One

"Gather around me, children dear;
The wind is high and the night is cold;
Closer, little ones, snuggle near;
Let's seek a story of ages old;
A magic tale of a bygone day,
Of lovely ladies and dragons dread;
Come, for you're all so tired of play,
We'll read till it's time to go to bed."

So they all are glad, and they nestle in,
And squat on the rough old nursery rug,
And they nudge and hush as I begin,
And the fire leaps up and all's so snug;
And there I sit in the big arm-chair,
And how they are eager and sweet and wise,

The Origin of the Harp

Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.

But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.

Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light

The Orange Tree

The young girl stood beside me.
I Saw not what her young eyes could see:
- A light, she said, not of the sky
Lives somewhere in the Orange Tree.

- Is it, I said, of east or west?
The heartbeat of a luminous boy
Who with his faltering flute confessed
Only the edges of his joy?

Was he, I said, borne to the blue
In a mad escapade of Spring
Ere he could make a fond adieu
To his love in the blossoming?

- Listen! the young girl said. There calls
No voice, no music beats on me;

The Onward Course

Our course is onward, onward into light:
What though the darkness gathereth amain,
Yet to return or tarry both are vain.
How tarry, when around us is thick night?
Whither return? what flower yet ever might,
In days of gloom and cold and stormy rain,
Enclose itself in its green bud again,
Hiding from wrath of tempest out of sight?

Courage--we travel through a darksome cave;
But still as nearer to the light we draw,
Fresh gales will reach us from the upper air
And wholesome dews of heaven our foreheads lave,

The Only Day In Existence

The early sun is so pale and shadowy,
I could be looking up at a ghost
in the shape of a window,
a tall, rectangular spirit
looking down at me in bed,
about to demand that I avenge
the murder of my father.
But the morning light is only the first line
in the play of this day--
the only day in existence--
the opening chord of its long song,
or think of what is permeating
the thin bedroom curtains

as the beginning of a lecture
I will listen to until it is dark,
a curious student in a V-neck sweater,

The Olive Tree

Save for a lusterless honing-stone of moon
The sky stretches its flawless canopy
Blue as the blue silk of the Jewish flag
Over the valley and out to sea.
It is bluest just above the olive tree.
You cannot find in twisted Italy
So straight a one; it stands not on a crag,
Is not humpbacked with bearing in scored stone,
But perfectly erect in my front yard,
Oblivious of its fame. The fruit is hard,
Multitudinous, acid, tight on the stem;
The leaves ride boat-like in the brimming sun,
Going nowhere and scooping up the light.

The Old Wooden Cradle

Good-bye to the cradle, the dear wooden cradle
The rude hand of Progress has thrust it aside.
No more to its motion o’er sleep’s fairy ocean,
Our play-weary wayfarers peacefully glide.

No more by the rhythm of slow-moving rocker,
Their sweet dreamy fancies are fostered and fed;
No more to low singing the cradle goes swinging –
The child of this era is put into bed.

Good-bye to the cradle, the dear wooden cradle,
It lent to the twilight a strange, subtle charm;
When bees left the clover, when play-time was over,