Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.

On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller’s joy beguiles in autumn
Hearts that have lost their own.

On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;

The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk

Sylvia, methinks you are unfit
For your great Lord's embrace;
For tho' we all allow you wit,
We can't a handsome face.

Then where's the pleasure, where's the good
Of spending time and cost?
For if your wit ben't understood,
Your keeper's bliss is lost.

901

Sweet, to have had them lost
For news that they be saved—
The nearer they departed Us
The nearer they, restored,

Shall stand to Our Right Hand—
Most precious and the Dead—
Next precious
Those that rose to go—
Then thought of Us, and stayed.

Sweet Innisfallen, fare thee well,
May calm and sunshine long be thine!
How fair thou art let others tell --
To feel how fair shall long be mine.

Sweet Innisfallen, long shall dwell
In memory's dream that sunny smile,
Which o'er thee on that evening fell,
When first I saw thy fairy isle.

'Twas light, indeed, too blest for one,
Who had to turn to paths of care --
Through crowded haunts again to run,
And leave thee bright and silent there;

No more unto thy shores to come,
But, on the world's rude ocean tost,

We are happy all the time
Even when we fight:
Sweet briars of the stairways,
Gay fairies of the grime;
We, who are playing to-night.

"Our feet are in the gutters,
Our eyes are sore with dust,
But still our eyes are bright.
The wide street roars and mutters —
We know it works because it must —
We, who are playing to-night!

"Dirt is everlasting. — We never, never fear it.
Toil is never ceasing. — We will play until we near it.
Tears are never ending. — When once real tears have come;

sway with me, everything sad -
madmen in stone houses
without doors,
lepers steaming love and song
frogs trying to figure
the sky;
sway with me, sad things -
fingers split on a forge
old age like breakfast shell
used books, used people
used flowers, used love
I need you
I need you
I need you:
it has run away
like a horse or a dog,
dead or lost
or unforgiving.

The rain has spoiled the farmer's day;
Shall sorrow put my books away?
Thereby are two days lost:
Nature shall mind her own affairs,
I will attend my proper cares,
In rain, or sun, or frost.

Will God indeed with fragments bear,
Snatched late from the decaying year?
Or can the Saviour's blood endear
The dregs of a polluted life?
When down th' o'erwhelming current tossed
Just ere he sink for ever lost,
The sailor's untried arms are crossed
In agonizing prayer, will Ocean cease her strife?

Sighs that exhaust but not relieve
Heart-rending sighs, O spare to heave
A bosom freshly taught to grieve
For lavished hours and love misspent!
Now through her round of holy thought

I sit at home
at my desk alone
as I used to do
on many sunday afternoons
when you came back to me,
your arms ached for me,
and your arms would close me in
though they smelled of other women.

I think of you
on Sunday afternoons.

Your sweet head would bow,
like a child somehow,
down to me -
and your hair and your eyes were wild.

We would embrace on the floor-
You see my back´s still sore.
You knew how easily I bruised,
It´s a soreness I would never lose.

I think of you