Two Old Crows

Two old crows sat on a fence rail.
Two old crows sat on a fence rail,
Thinking of effect and cause,
Of weeds and flowers,
And nature's laws.
One of them muttered, one of them stuttered,
One of them stuttered, one of them muttered.
Each of them thought far more than he uttered.
One crow asked the other crow a riddle.
One crow asked the other crow a riddle:
The muttering crow
Asked the stuttering crow,
"Why does a bee have a sword to his fiddle?
Why does a bee have a sword to his fiddle?"


Tranquilism

I call myself a Tranquilist;
With deep detachment I exist,
From friction free;
While others court the gilded throng
And worship Women, Wine and Song,
I scorn the three.
For I have reached the sober age
When I prefer to turn a page
Beside the fire,
And from the busy mart of men
To meditative book and pen
With grace retire.

If you are craving peace of mind,


True Diffidence

My boy, you may take it from me,
That of all the afflictions accurst
With which a man's saddled
And hampered and addled,
A diffident nature's the worst.
Though clever as clever can be -
A Crichton of early romance -
You must stir it and stump it,
And blow your own trumpet,
Or, trust me, you haven't a chance.

Now take, for example, MY case:
I've a bright intellectual brain -
In all London city
There's no one so witty -
I've thought so again and again.
I've a highly intelligent face -


Tom the Lunatic

Sang old Tom the lunatic
That sleeps under the canopy:
'What change has put my thoughts astray
And eyes that had so keen a sight?
What has turned to smoking wick
Nature's pure unchanging light?

'Huddon and Duddon and Daniel O'Leary.
Holy Joe, the beggar-man,
Wenching, drinking, still remain
Or sing a penance on the road;
Something made these eyeballs weary
That blinked and saw them in a shroud.

'Whatever stands in field or flood,
Bird, beast, fish or man,
Mare or stallion, cock or hen,


To Wordsworth

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship and love's first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine
Which thou too feel'st, yet I alone deplore.
Thou wert as a lone star, whose light did shine
On some frail bark in winter's midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude:
In honoured poverty thy voice did weave


To Virgil

Written at the Request of the Mantuans for the Nineteenth Centenary of
Virgil's Death


Roman Virgil, thou that singest
Ilion's lofty temples robed in fire,
Ilion falling, Rome arising,
wars, and filial faith, and Dido's pyre;

Landscape-lover, lord of language
more than he that sang the Works and Days,
All the chosen coin of fancy
flashing out from many a golden phrase;

Thou that singest wheat and woodland,
tilth and vineyard, hive and horse and herd;
All the charm of all the Muses


To Those Born After

I

To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.

I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.

The city streets all led to foul swamps in my time,


To This Moment a Rebel

To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.

When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?

Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,


To This Moment a Rebel

I

To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.
II
When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?
III
Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?


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