When Flora had O'erfret the Firth

QUHEN Flora had o'erfret the firth
   In May of every moneth queen;
Quhen merle and mavis singis with mirth
   Sweet melling in the shawis sheen;
   Quhen all luvaris rejoicit bene
And most desirous of their prey,
   I heard a lusty luvar mene
--'I luve, but I dare nocht assay!'

'Strong are the pains I daily prove,
   But yet with patience I sustene,
I am so fetterit with the luve
   Only of my lady sheen,
   Quhilk for her beauty micht be queen,
Nature so craftily alway


When a People Reach the Top of a Hill

When a people reach the top of a hill,
Then does God lean toward them,
Shortens tongues and lengthens arms.
A vision of their dead comes to the weak.
The moon shall not be too old
Before the new battalions rise,
Blue battalions.
The moon shall not be too old
When the children of change shall fall
Before the new battalions,
The blue battalions.

Mistakes and virtues will be trampled deep.
A church and a thief shall fall together.
A sword will come at the bidding of the eyeless,


What Being in Rank-Old Nature

What being in rank-old nature should earlier have that breath been
That hére pérsonal tells off these heart-song powerful peals?—
A bush-browed, beetle-brówed bíllow is it?
With a soúth-wésterly wínd blústering, with a tide rolls reels
Of crumbling, fore-foundering, thundering all-surfy seas in; seen
Únderneath, their glassy barrel, of a fairy green.
. . . . . . . .
Or a jaunting vaunting vaulting assaulting trumpet telling


War Song

Remember the Glories of Brien the Brave


Remember the glories of Brien the brave,
Though the days of the hero are o'er,
Though lost to Mononia and cold to the grave,
He returns to Kinkora no more.
That star of the field, which so often hath pour'd
Its beam on the battle, is set;
But enough of its glory remains on each sword,
To light us to victory yet.

Mononia! when Nature embellish'd the tint
Of thy fields, and thy mountains so fair,
Did she ever intend that a tyrant should print


Walking the Dog

Two universes mosey down the street
Connected by love and a leash and nothing else.
Mostly I look at lamplight through the leaves
While he mooches along with tail up and snout down,
Getting a secret knowledge through the nose
Almost entirely hidden from my sight.

We stand while he's enraptured by a bush
Till I can't stand our standing any more
And haul him off; for our relationship
Is patience balancing to this side tug
And that side drag; a pair of symbionts
Contented not to think each other's thoughts.


Voices of Earth

We have not heard the music of the spheres,
The song of star to star, but there are sounds
More deep than human joy and human tears,
That Nature uses in her common rounds;
The fall of streams, the cry of winds that strain
The oak, the roaring of the sea's surge, might
Of thunder breaking afar off, or rain
That falls by minutes in the summer night.
These are the voices of earth's secret soul,
Uttering the mystery from which she came.
To him who hears them grief beyond control,


Visions of the worlds vanitie

One day, whiles that my daylie cares did sleepe,
My spirit, shaking off her earthly prison,
Began to enter into meditation deepe
Of things exceeding reach of common reason;
Such as this age, in which all good is geason,
And all that humble is and meane debaced,
Hath brought forth in her last declining season,
Griefe of good mindes, to see goodnesse disgraced.
On which when as my thought was throghly placed,
Vnto my eyes strange showes presented were,
Picturing that, which I in minde embraced,


Verses Written in a Garden

See how the pair of billing doves
With open murmurs own their loves;
And, heedless of censorious eyes,
Pursue their unpolluted joys;
No fears of future want molest
The downy quiet of their nest:
No int'rest join'd the happy pair,
Securely blest in Nature's care,
While her dictates they pursue;
For constancy is Nature too.
Can all the doctrine of the schools,
Our maxims, our religious rules,
Can learning to our lives ensure,
Virtue so bright, or bliss so pure?


Verses on Sir Joshua Reynold's Painted Window at New College, Oxford

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,


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