When the wasting embers redden the chimney-breast,
And Life's bare pathway looms like a desert track to me,
And from hall and parlour the living have gone to their rest,
My perished people who housed them here come back to me.

They come and seat them around in their mouldy places,
Now and then bending towards me a glance of wistfulness,
A strange upbraiding smile upon all their faces,
And in the bearing of each a passive tristfulness.

'Do you uphold me, lingering and languishing here,

When the golden day is done,
Through the closing portal,
Child and garden, Flower and sun,
Vanish all things mortal.
II
As the blinding shadows fall
As the rays diminish,
Under evening's cloak they all
Roll away and vanish.
III
Garden darkened, daisy shut,
Child in bed, they slumber--
Glow-worm in the hallway rut,
Mice among the lumber.
IV
In the darkness houses shine,
Parents move the candles;
Till on all the night divine
Turns the bedroom handles.
V
Till at last the day begins

Moving from Cheer to Joy, from Joy to All,
I take a box
And add it to my wild rice, my Cornish game hens.
The slacked or shorted, basketed, identical
Food-gathering flocks
Are selves I overlook. Wisdom, said William James,

Is learning what to overlook. And I am wise
If that is wisdom.
Yet somehow, as I buy All from these shelves
And the boy takes it to my station wagon,
What I've become
Troubles me even if I shut my eyes.

When I was young and miserable and pretty
And poor, I'd wish

IN seventy five the Critick of our years
Commenc'd our war with Phillip and his peers.
Whither the sun in Leo had inspir'd
A feav'rish heat, and Pagan spirits fir'd?
Whither some Romish Agent hatcht the plot?
Or whither they themselves? appeareth not.
Whither our infant thrivings did invite?
Or whither to our lands pretended right?
Is hard to say; but Indian spirits need
No grounds but lust to make a Christian bleed.


And here methinks I see this greazy Lout
With all his pagan slaves coil'd round about,

I

The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.


II

The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite

I was fairly drunk when it
began and I took out my bottle and used it
along the way. I was reading a week or two after
Kandel and I did not look quite as
pretty but
I brought it off and we
ended up at the Webbs, 6, 8, 10 of
us, and I drank scotch, wine, beer, tequila
and noticed a nice one sitting next to me -
one tooth missing when she smiled,
lovely, and I put my arm around her
and began loading her with bullshit. when I awakened at 10 a.m. the next morning
I was in a strange house
in bed with this

My mind matches this understand land.
Outdoors the pencilled tree, the wind-carved drift,
Indoors the constant fire, the careful thrift
Are facts that I accept and understand.

I have brought in red berries and green boughs-
Berries of black alder, boughs of pine.
They and the sunlight on them, both are mine.
I need no florist flowers in my house.


Having lived here the years that are my best,
I call it home. I am content to stay.
I have no bird's desire to fly away.
I envy neither north, east, south, nor west.

Suddenly, desperately
I thought, "No, never
In millions of minutes
Can I for one second
Calm-leaving my own self
Like clothes on a chair-back
And quietly opening
The door of one house
(No, not one of all millions)
Of blood, flesh and brain,
Climb the nerve-stair and look
From the tower, from the windows
Of eyes not my own: ...
No, never, no, never!"


Submitted by Stephen Fryer

On Forty-first Street
near Eighth Avenue
a frame house wobbles.

If houses went on crutches
this house would be
one of the cripples.

A sign on the house:
Church of the Living God
And Rescue Home for Orphan Children.

From a Greek coffee house
Across the street
A cabalistic jargon
Jabbers back.
And men at tables
Spill Peloponnesian syllables
And speak of shovels for street work.
And the new embankments of the Erie Railroad
At Painted Post, Horse's Head, Salamanca.

Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:
In all the mystic mazes of the dance,
The youths of Banny's burning sands advance,
Whilst the soft virgin panting looks behind,
And rides upon the pinions of the wind;
Ascends the mountain's brow, and measures round
The steepy cliffs of Chalma's sacred ground,
Chalma, the god whose noisy thunders fly
Thro' the dark covering of the midnight sky,