'Who affirms that crystals are alive?'
I affirm it, let who will deny:
Crystals are engendered, wax and thrive,
Wane and wither; I have seen them die.

Trust me, masters, crystals have their day,
Eager to attain the perfect norm,
Lit with purpose, potent to display
Facet, angle, colour, beauty, form.

Water-crystals need for flower and root
Sixty clear degrees, no less, no more;
Snow, so fickle, still in this acute
Angle thinks, and learns no other lore:

Such its life, and such its pleasure is,

Light-winged Smoke, Icarian bird,
Melting thy pinions in thy upward flight,
Lark without song, and messenger of dawn
Circling above the hamlets as they nest;
Or else, departing dream, and shadowy form
Of midnight vision, gathering up thy skirts;
By night star-veiling, and by day
Darkening the light and blotting out the sun;
Go thou my incense upward from this hearth,
And ask the gods to pardon this clear flame.

Sharp was the frost, the wind was high
And sparkling stars bedeckt the sky
Sly Dick in arts of cunning skill'd,
Whose rapine all his pockets fill'd,
Had laid him down to take his rest
And soothe with sleep his anxious breast.
'Twas thus a dark infernal sprite
A native of the blackest night,
Portending mischief to devise
Upon Sly Dick he cast his eyes;
Then straight descends the infernal sprite,
And in his chamber does alight;
In visions he before him stands,
And his attention he commands.

Some day, if I should ever lose you,
will you be able then to go to sleep
without me softly whispering above you
like night air stirring in the linden tree?

Without my waking here and watching
and saying words as tender as eyelids
that come to rest weightlessly upon your breast,
upon your sleeping limbs, upon your lips?

Without my touching you and leaving you
alone with what is yours, like a summer garden
that is overflowing with masses
of melissa and star-anise?


Translated by Albert Ernest Flemming

O year, grow slowly. Exquisite, holy,
The days go on
With almonds showing the pink stars blowing
And birds in the dawn.

Grow slowly, year, like a child that is dear,
Or a lamb that is mild,
By little steps, and by little skips,
Like a lamb or a child.

Sloth (I)
Too many a Samsan lip your teeth indent:
Too many a Sybil girl you lure to make
The Great Refusal for a fireside sake:
And glamoured poet many a look has sent
Into those eyeballs bear-brown, somnolent,
Nor dreamed that devils in each muddy lake
Were sucking his devotion in to slake
The furrowed belly of your fanged content!
Religion's bane and Freedom's subtlest foe!
Behold the poppied freight your barges bring
The dim-lit souls that crave the prophet's gleam,
Or fettered people's writhing 'neath their woe--

In the night there are of course the seven wonders
of the world and the greatness tragedy and enchantment.
Forests collide with legendary creatures hiding in thickets.
There is you.
In the night there are the walker's footsteps the murderer's
the town policeman's light from the street lamp and the ragman's lantern
There is you.
In the night trains go past and boats
and the fantasy of countries where it's daytime. The last breaths
of twilight and the first shivers of dawn.
There is you.
A piano tune, a shout.
A door slams. A clock.

Love-cradling Night, lit by the lucent moon,
Most pitiful and mother-hearted Night!
Blest armistice in life's tumultuous fight,
Resolving discords to a spheral tune!
When tired with heat and strenuous toil of noon,
With ceaseless conflict betwixt might and right,
With ebb and flow of sorrow and delight,
Our panting hearts beneath their burdens swoon:

To thee, O star-eyes comforter, we creep,
Earth's ill-used step-children to thee make moan,
As hiding in thy dark skirts' ample sweep;

And then I said, That's what it means
to testify: to sit in the locked dark muttering
when you should be dead to the world. The muse
just shrugged and shaded his blue eyes. So naturally
I followed him down to his father's house
by the river, a converted factory in the old
industrial park: somewhere to sit
on threadbare cushions eating my words
and his promises, safe as milk
that dries the throat. If I had a home,
he'd be that unmade bed. He's my America
twisted in dirty sheets, my inspiration
for a sleepless night. No getting around that

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself
Against a tall tree.
I find that I am much taller,