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March Elegy

I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,

March

I

Winter is long in this climate
and spring--a matter of a few days
only,--a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

II

March,
you reminded me of
the pyramids, our pyramids--
stript of the polished stone
that used to guard them!
March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
you are like a band of

Many Soldiers

The idea danced before us as a flag;
The sound of martial music;
The thrill of carrying a gun;
Advancement in the world on coming home;
A glint of glory, wrath for foes;
A dream of duty to country or to God.
But these were things in ourselves, shining before us,
They were not the power behind us,
Which was the Almighty hand of Life,
Like fire at earth's center making mountains,
Or pent up waters that cut them through.
Do you remember the iron band
The blacksmith, Shack Dye, welded
Around the oak on Bennet's lawn,

Man the Monarch

Amaz'd we read of Nature's early Throes
How the fair Heav'ns and pond'rous Earth arose:
How blooming Trees unplanted first began;
And Beasts submissive to their Tyrant, Man:
To Man, invested with despotic Sway,
While his mute Brethren tremble and obey;
Till Heav'n beheld him insolently vain,
And checked the Limits of his haughty Reign.
Then from their Lord, the rude Deserters fly,
And, grinning back, his fruitless Rage defy;
Pards, Tygers, Wolves, to gloomy Shades retire,
And Mountain-Goats in purer Gales respire.

Man into a Churchyard

He comes unknown and heard and stands there
Breathes there hardly and hands grip
Flesh and walking stick. Skips over mounds
To land flat footed in a bowl of roses.

Flicks at the crazy gravestones
Spitting loud desires wood crosses for himself:
Heaves them up with laughter to hang them,
Dangling on the atheist's fig tree.

Handsprings through the open door,
Signs with a swastika on the visitors' book
And goes through the shut iron gate
With a pansy in his buttonhole.

Man and Wife

Tamed by Miltown, we lie on Mother's bed;
the rising sun in war paint dyes us red;
in broad daylight her gilded bed-posts shine,
abandoned, almost Dionysian.
At last the trees are green on Marlborough Street,
blossoms on our magnolia ignite
the morning with their murderous five day's white.
All night I've held your hand,
as if you had
a fourth time faced the kingdom of the mad -
its hackneyed speech, its homicidal eye -
and dragged me home alive. . . . Oh my Petite,
clearest of all God's creatures, still all air and nerve:

Man

My God, I heard this day,
That none doth build a stately habitation,
But he that means to dwell therein.
What house more stately hath there been,
Or can be, than is Man? to whose creation
All things are in decay.

For Man is ev'ry thing,
And more:
He is a tree, yet bears no fruit;
A beast, yet is, or should be more:
Reason and speech we only bring.
Parrots may thank us, if they are not mute,
They go upon the score.

Man is all symmetry,
Full of proportions, one limb to another,

Mamba The Bright Eyed An Aboriginal Reminiscence

Canto I.

XXVIII.

The day had fled, the moon arose,
Night straight began with evening's close--
A night whose calm and silvery sheen
Befitted well the wild yapeen.1
Within the circle of the camp
Blazed the clear fire, while measured tramp
Of dancing warriors shook the ground,
To song and time-sticks' throbbing sound.
There twice two hundred feet advanced,
There twice a hundred malkas2 glanced
Bright in the moon, that silvered o'er
The arms that all those malkas bore.
Wild the device, and strange the sign

Making It Work

3-foot blue cannisters of nitro
along a conveyor belt, slow fish
speaking the language of silence.
On the roof, I in my respirator
patching the asbestos gas lines
as big around as the thick waist
of an oak tree. "These here are
the veins of the place, stuff
inside's the blood." We work in rain,
heat, snow, sleet. First warm
spring winds up from Ohio, I
pause at the top of the ladder
to take in the wide world reaching
downriver and beyond. Sunlight
dumped on standing and moving
lines of freight cars, new fields