No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
Then he is.

But when I say Success I mean the sublimated kind;
A man may gain it yet be on the dole.

We forget that we are all dead men conversing wtih dead men.
—Jorge Luis Borges

For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern past the glass.
My stomach was a melon split wide inside my skin.

'How do you know if you are going to die?'
I begged my mother.
We had been traveling for days.

188

Make me a picture of the sun—
So I can hang it in my room—
And make believe I'm getting warm
When others call it "Day"!

Draw me a Robin—on a stem—
So I am hearing him, I'll dream,
And when the Orchards stop their tune—
Put my pretense—away—

Say if it's really—warm at noon—
Whether it's Buttercups—that "skim"—
Or Butterflies—that "bloom"?
Then—skip—the frost—upon the lea—
And skip the Russet—on the tree—
Let's play those—never come!

You pull over to the shoulder
of the two-lane
road and sit for a moment wondering
where you were going
in such a hurry. The valley is burned
out, the oaks
dream day and night of rain
that never comes.
At noon or just before noon
the short shadows
are gray and hold what little
life survives.
In the still heat the engine
clicks, although
the real heat is hours ahead.
You get out and step
cautiously over a low wire
fence and begin

I am in this low-slung sports car
painted a deep, rich yellow
driving under an Italian sun.
I have a British accent.
I'm wearing dark shades
an expensive silk shirt.
there's no dirt under my
fingernails.
the radio plays Vivaldi
and there are two women with
me
one with raven hair
the other a blonde.
they have small breasts and
beautiful legs
and they laugh at everything I
say.

as we drive up a steep road
the blonde squeezes my leg
and nestles closer
while raven hair
leans across and nibbles my

LIKE the Idalian queen,
   Her hair about her eyne,
With neck and breast's ripe apples to be seen,
   At first glance of the morn
In Cyprus' gardens gathering those fair flow'rs
   Which of her blood were born,
I saw, but fainting saw, my paramours.
The Graces naked danced about the place,
   The winds and trees amazed
   With silence on her gazed,
The flowers did smile, like those upon her face;
And as their aspen stalks those fingers band,

All day long I have been working,
Now I am tired
I call: "Where are you?"
But there is only the oak-tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you? I go about searching.

Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes.

He made a line on the blackboard,
one bold stroke from right to left
diagonally downward and stood back
to ask, looking as always at no one
in particular, "What have I done?"
From the back of the room Freddie
shouted, "You've broken a piece
of chalk." M. Degas did not smile.
"What have I done?" he repeated.
The most intellectual students
looked down to study their desks
except for Gertrude Bimmler, who raised
her hand before she spoke. "M. Degas,
you have created the hypotenuse
of an isosceles triangle." Degas mused.

Have you ever heard of lynching in the great United States?
'Tis an awful, awful story that the Negro man relates,
How the mobs the laws have trampled, both the human and divine,
In their killing helpless people as their cruel hearts incline.

Not the heathen! 'Tis the Christian with the Bible in his hand,
Stands for pain and death to tyrannize the weaklings of the land;
Not the red man nor the Spaniard kills the blacks of Uncle Sam,
'Tis the white man of the nation who will lunch the sons of Ham.

Now the day is done,
Now the shepherd sun
Drives his white flocks from the sky;
Now the flowers rest
On their mother's breast,
Hushed by her low lullaby.

Now the glowworms glance,
Now the fireflies dance,
Under fern-boughs green and high;
And the western breeze
To the forest trees
Chants a tuneful lullaby.

Now 'mid shadows deep
Falls blessed sleep,
Like dew from the summer sky;
And the whole earth dreams,
In the moon's soft beams,
While night breathes a lullaby.