poetry

There is a vale which none hath seen,
Where foot of man has never been,
Such as here lives with toil and strife,
An anxious and a sinful life.
There every virtue has its birth,
Ere it descends upon the earth,
And thither every deed returns,
Which in the generous bosom burns.

There love is warm, and youth is young,
And poetry is yet unsung.
For Virtue still adventures there,
And freely breathes her native air.

And ever, if you hearken well,
You still may hear its vesper bell,

Immortal Robert Burns of Ayr,
There's but few poets can with you compare;
Some of your poems and songs are very fine:
To "Mary in Heaven" is most sublime;
And then again in your "Cottar's Saturday Night,"
Your genius there does shine most bright,
As pure as the dewdrops of the night.

Your "Tam O'Shanter" is very fine,
Both funny, racy, and divine,
From John O'Groats to Dumfries
All critics consider it to be a masterpiece,
And, also, you have said the same,
Therefore they are not to blame.

Oh, I was born a lyric babe
(That last word is a bore -
It's only rhyme is astrolabe,"
Whose meaning I ignore.)
From cradlehood I lisped in numbers,
Made jingles even in my slumbers.
Said Ma: "He'll be a bard, I know it."
Said Pa: "let's hoe he will outgrow it."

Alas! I never did and so
A dreamer and a drone was I,
Who persevered in want and woe
His misery to versify.
Yea, I was doomed to be a failure
(Old Browning rhymes that last with "pale lure"):
And even starving in the gutter,

Sometimes, I, too, tell the ah's
of my heart one by one
like the blood-red beads
of a ruby rosary strung
on strands of golden hair!

But my
poetry's muse
takes to the air
on wings made of steel
like the I-beams
of my suspension bridges!

I don't pretend
the nightingale's lament
to the rose isn't easy on the ears...
But the language
that really speaks to me
are Beethoven sonatas played

We were very tired, we were very merry--
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable--
But we looked into a fire, we leaned across a table,
We lay on a hilltop underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry--
We had gone back and forth all night on the ferry,
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;

The porter in the Pullman car
Was charming, as they sometimes are.
He scanned my baggage tags: "Are you
The man who wrote of Lady Lou?"
When I said "yes" he made a fuss -
Oh, he was most assiduous;
And I was pleased to think that he
Enjoyed my brand of poetry.

He was forever at my call,
So when we got to Montreal
And he had brushed me off, I said:
"I'm glad my poems you have read.
I feel quite flattered, I confess,
And if you give me your address
I'll send you (autographed, of course)

When they taught me that what mattered most
was not the strict iambic line goose-stepping
over the page but the variations
in that line and the tension produced
on the ear by the surprise of difference,
I understood yet didn't understand
exactly, until just now, years later
in spring, with the trees already lacy
and camellias blowsy with middle age,
I looked out and saw what a cold front had done
to the garden, sweeping in like common language,
unexpected in the sensuous
extravagance of a Maryland spring.

Horace: Book III, Ode 3

"Carminis interea nostri redæmus in orbem---"


Let us return, then, for a time,
To our accustomed round of rhyme;
And let my songs' familiar art
Not fail to move my lady's heart.

They say that Orpheus with his lute
Had power to tame the wildest brute;
That "Vatiations on a Theme"
Of his would stay the swiftest stream.

They say that by the minstrel's song
Cithæron's rocks were moved along
To Thebes, where, as you may recall,

THE SUNNY rounds of Earth contain
An obverse to its Day,
Our fertile Vagrancy’s domain,
Wan Proletaria.

From pole to pole of Poverty
We stumble through the years,
With hazy-lanterned Memory
And Hope that never nears.

Wherever Plenty’s crop invites
Our pitiful brigades,
Lurk cannoneers of Vested Rights,
Juristic ambuscades;

And here hangs Rent, that squalid cage
Within which Mammon thrusts,

WITHOUT increasing his genius, the author may have improved his language, in the eleven years that the following poems have been in the hands of the public. Errors in diction might have been committed at twenty-four, which the experience of a riper age may remove; and some exuberances in imagery may be restrained with advantage, by a degree of judgment acquired in the progress of time. Impressed with this opinion, he ran over the whole with attention and accuracy; and he hopes he has brought the work to a state of correctness which will preclude all future improvements.