The Sonnet ii

SCORN not the Sonnet; Critic, you have frown'd,
   Mindless of its just honours; with this key
   Shakespeare unlock'd his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
   With it Camöens sooth'd an exile's grief;
   The Sonnet glitter'd a gay myrtle leaf
Amid the cypress with which Dante crown'd
His visionary brow: a glow-worm lamp,
   It cheer'd mild Spenser, call'd from Faery-land
To struggle through dark ways; and when a damp


The Story of Sigurd the Volsung excerpt

But therewith the sun rose upward and lightened all the earth,
And the light flashed up to the heavens from the rims of the glorious girth;
But they twain arose together, and with both her palms outspread,
And bathed in the light returning, she cried aloud and said:
"All hail, O Day and thy Sons, and thy kin of the coloured things!
Hail, following Night, and thy Daughter that leadeth thy wavering wings!
Look down With unangry eyes on us today alive,


The Story of Mongrel Grey

This is the story the stockman told
On the cattle-camp, when the stars were bright;
The moon rose up like a globe of gold
And flooded the plain with her mellow light.
We watched the cattle till dawn of day
And he told me the story of Mongrel Grey.
He was a knock-about station hack,
Spurred and walloped, and banged and beat;
Ridden all day with a sore on his back,
Left all night with nothing to eat.
That was a matter of everyday
Normal occurrence with Mongrel Grey.


The Sonnets To Orpheus XIX

Though the world keeps changing its form
as fast as a cloud, still
what is accomplished falls home
to the Primeval.

Over the change and the passing,
larger and freer,
soars your eternal song,
god with the lyre.

Never has grief been possesed,
never has love been learned,
and what removes us in death

is not revealed.
Only the song through the land
hallows and heals.


Translated by Stephen Mitchell


The Songs of Selma

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.



The Song Of The Pacifist

What do they matter, our headlong hates, when we take the toll of our Dead?
Think ye our glory and gain will pay for the torrent of blood we have shed?
By the cheers of our Victory will the heart of the mother be comforted?

If by the Victory all we mean is a broken and brooding foe;
Is the pomp and power of a glitt'ring hour, and a truce for an age or so:
By the clay-cold hand on the broken blade we have smitten a bootless blow!

If by the Triumph we only prove that the sword we sheathe is bright;


The Ships that Won't Go Down

We hear a great commotion
'Bout the ship that comes to grief,
That founders in mid-ocean,
Or is driven on a reef;
Because it's cheap and brittle
A score of sinners drown.
But we hear but mighty little
Of the ships that won't go down.

Here's honour to the builders –
The builders of the past;
Here's honour to the builders
That builded ships to last;
Here's honour to the captain,
And honour to the crew;
Here's double-column headlines
To the ships that battle through.


The Solitary-Hearted

SHE was a queen of noble Nature's crowning,
A smile of hers was like an act of grace;
She had no winsome looks, no pretty frowning,
Like daily beauties of the vulgar race:
But if she smiled, a light was on her face,
A clear, cool kindliness, a lunar beam
Of peaceful radiance, silvering o'er the stream
Of human thought with unabiding glory;
Not quite a waking truth, not quite a dream,
A visitation, bright and transitory.

But she is changed,--hath felt the touch of sorrow,


The Slave Mother

Heard you that shriek? It rose
So wildly on the air,
It seemed as if a burden'd heart
Was breaking in despair.

Saw you those hands so sadly clasped --
The bowed and feeble hand --
The shuddering of that fragile form --
That look of grief and dread?

Saw you the sad, imploring eye?
Its every glance was pain,
As if a storm of agony
Were sweeping through the brain.

She is a mother, pale with fear,
Her boy clings to her side,
And in her kirtle vainly tries


The Sisters' Tragedy

A.D. 1670

AGLÄE, a widow.
MURIEL, her unmarried sister.


It happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,


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