america

At her low quaint wheel she sits to spin,
Deftly drawing the long, light rolls
Of carded wool through her finders thin,
By the fireside at the Isles of Shoals.

She is not pretty, she is not young,
Poor homesick Karen, who sits and spins,
Humming a song in her tongue,
That falters and stops, and again begins,

While her wheel flies fast, with its drowsy hum,
And she makes a picture of pensive grace
As thoughts of her well-loved Norway come
And deepen the shadows across her face.

243

I've known a Heaven, like a Tent—
To wrap its shining Yards—
Pluck up its stakes, and disappear—
Without the sound of Boards
Or Rip of Nail—Or Carpenter—
But just the miles of Stare—
That signalize a Show's Retreat—
In North America—

No Trace—no Figment of the Thing
That dazzled, Yesterday,
No Ring—no Marvel—
Men, and Feats—
Dissolved as utterly—
As Bird's far Navigation
Discloses just a Hue—
A plash of Oars, a Gaiety—
Then swallowed up, of View.

I have not bummed across America
with only a dollar to spare, one pair
of busted Levi's and a bowie knife.
I have lived with thieves in Manchester.

I have not padded through the Taj Mahal,
barefoot, listening to the space between
each footfall picking up and putting down
its print against the marble floor. But I


skimmed flat stones across Black Moss on a day
so still I could hear each set of ripples
as they crossed. I felt each stone's inertia
spend itself against the water; then sink.

I think I will learn some beautiful language, useless for commercial
Purposes, work hard at that.
I think I will learn the Latin name of every songbird, not only in
America but wherever they sing.
(Shun meditation, though; invite the controversial:
Is the world flat? Do bats eat cats?) By digging hard I might
deflect that river, my mind, that uncontrollable thing,
Turgid and yellow, srong to overflow its banks in spring,
carrying away bridges
A bed of pebbles now, through which there trickles one clear

The alder shudders in the April winds
off the moon. No one is awake and yet
sunlight streams across
the hundred still beds
of the public wards
for children. At ten
do we truly sleep
in a blessed sleep
guarded by angels
and social workers?
Do we dream of gold
found in secret trunks
in familiar rooms?
Do we talk to cats
and dogs? I think not.
I think when I was
ten I was almost
an adult, slightly
less sentimental
than now and better

Today, I sat me down to ponder
Why I write like this:
Four metric feet, first line of text,
And three feet in the next.
This sing-song meter ambles on
From line to line, and then,
A rhyme is put, delightfully,
To have the stanza end.

From where the rhythm and the style?
From where I caught the rhyme?
I thought back to my schooling days,
And poem-reading time.

Ancient Mariner is one
That I remember well:
Its rhyme and rhythm still come through,
As clearly as a bell:

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.

Besides,
They'll see how beautiful I am
And be ashamed--

I, too, am America.

I am waiting for my case to come up
and I am waiting
for a rebirth of wonder
and I am waiting
for someone to really discover America
and wail
and I am waiting
for the discovery
of a new symbolic western frontier
and I am waiting
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting
for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy

When she goes to Hollywood
she is an angel.

She writes in red red lipstick
on the window of her body,
long for me, oh need me!
Parts her lips like a lotus.

Opening night she stands, poised
on her carpet, luminescent,
young men humming
all around her. She is flying.
Her high heels are wands, her
furs electric. Her bracelets
flashing. How completely
dazzling her complexion,
how vibrant her hair and eyes,
how brilliant the glow that spreads
four full feet around her.

After dark
Near the South Dakota border,
The moon is out hunting, everywhere,
Delivering fire,
And walking down hallways
Of a diamond.

Behind a tree,
It ights on the ruins
Of a white city
Frost, frost.

Where are they gone
Who lived there?

Bundled away under wings
And dark faces.

I am sick
Of it, and I go on
Living, alone, alone,
Past the charred silos, past the hidden graves
Of Chippewas and Norwegians.

This cold winter