angel

The shepherd's brow, fronting forked lightning, owns
The horror and the havoc and the glory
Of it. Angels fall, they are towers, from heaven—a story
Of just, majestical, and giant groans.
But man—we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary
Age gasp; whose breath is our memento mori—
What bass is our viol for tragic tones?
He! Hand to mouth he lives, and voids with shame;
And, blazoned in however bold the name,
Man Jack the man is, just; his mate a hussy.

They turned him loose; he bowed his head,
A felon, bent and grey.
His face was even as the Dead,
He had no word to say.

He sought the home of his old love,
To look on her once more;
And where her roses breathed above,
He cowered beside the door.

She sat there in the shining room;
Her hair was silver grey.
He stared and stared from out the gloom;
He turned to go away.

Her roses rustled overhead.
She saw, with sudden start.

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.

And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.

They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.

Neither the harps nor the crowns amused, nor the cherubs' dove-winged races--
Holding hands forlornly the Children wandered beneath the Dome,
Plucking the splendid robes of the passers-by, and with pitiful! faces
Begging what Princes and Powers refused:--"Ah, please will you let us go home?"

Over the jewelled floor, nigh weeping, ran to them Mary the Mother,
Kneeled and caressed and made promise with kisses, and drew them along to the gateway--
Yea, the all-iron unbribeable Door which Peter must guard and none other.

A night of love
exquisite as a
concert from old Venice
played on exquisite instruments.
Healthy as a
buttock of a little angel.
Wise as an
anthill.
Garish as air
blown into a trumpet.
Abundant as the reign
of a royal Negro couple
seated on two thrones
cast in gold.

A night of love with you,
a big baroque battle
and two victories.

In serious jest, and jesting seriousness,
I strive to scourge polluting beastliness;
I invocate no Delian deity,
No sacred offspring of Mnemosyne;
I pray in aid of no Castalian Muse,
No nymph, no female angel, to infuse
A sprightly wit to raise my flagging wings,
And teach me tune these harsh discordant strings.
I crave no sirens of our halcyon times,
To grace the accents of my rough-hew'd rhymes;
But grim Reproof, stern Hate of Villainy,
Inspire and guide a Satire's poesy.

Translated into English in 1859 by Edward FitzGerald

I.
Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.

II.
Dreaming when Dawn's Left Hand was in the Sky
I heard a voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."

III.
And, as the Cock crew, those who stood before

(ROOSEVELT)

He turned aside to see the carcase of the lion: and behold, there was a swarm of bees and honey in the carcase of the lion … And the men of the city said unto him, What is sweeter than honey? and what is stronger than a lion?—Judges, 14.


The palms of Mammon have disowned
The gift of our complacency;
The bells of ages have intoned
Again their rhythmic irony;
And from the shadow, suddenly,
’Mid echoes of decrepit rage,
The seer of our necessity
Confronts a Tyrian heritage.

I

The Princess sings:

I am the princess up in the tower
And I dream the whole day thro'
Of a knight who shall come with a silver spear
And a waving plume of blue.

I am the princess up in the tower,
And I dream my dreams by day,
But sometimes I wake, and my eyes are wet,
When the dusk is deep and gray.

For the peasant lovers go by beneath,
I hear them laugh and kiss,
And I forget my day-dream knight,
And long for a love like this.

II

The Minstrel sings:

There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.

``Shall I have nought that is fair?'' saith he;
``Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.''

He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.

``My Lord has need of these flowerets gay,''