beach

There's many a schoolboy's bat and ball that are gathering dust at home,
For he hears a voice in the future call, and he trains for the war to come;
A serious light in his eyes is seen as he comes from the schoolhouse gate;
He keeps his kit and his rifle clean, and he sees that his back is straight.

But straight or crooked, or round, or lame – you may let these words take root;
As the time draws near for the sterner game, all boys should learn to shoot,
From the beardless youth to the grim grey-beard, let Australians ne'er forget,

limestone, with traces of polychromy, c. 1250

Point Dume was the point,
he said, but we never came close,
no matter how far we walked the shale
broken from California.

Someone's garden
had slipped, hanging itself by a vine
from the cliffs of some new Babylon
past Malibu.

Drowning the words,
the wind didn't fling back in our faces,
the Pacific washed up a shell:
around an alabastron

of salt water for the dead,

Hark to the shouting Wind!
Hark to the flying Rain!
And I care not though I never see
A bright blue sky again.

There are thoughts in my breast to-day
That are not for human speech;
But I hear them in the driving storm,
And the roar upon the beach.

And oh, to be with that ship
That I watch through the blinding brine!
O Wind! for thy sweep of land and sea!
O Sea! for a voice like thine!

Shout on, thou pitiless Wind,
To the frightened and flying Rain!
I care not though I never see

I take the long walk up the staircase to my secret room.
Today's big news: they found Amelia Earhart's shoe, size 9.
1992: Charlie Christian is bebopping at Minton's in 1941.
Today, the Presidential primaries have failed us once again.
We'll look for our excitement elsewhere, in the last snow
that is falling, in tomorrow's Gospel Concert in Springfield.
It's a good day to be a cat and just sleep.
Or to read the Confessions of Saint Augustine.
Jesus called the sons of Zebedee the Sons of Thunder.

A mile behind is Gloucester town
Where the flishing fleets put in,
A mile ahead the land dips down
And the woods and farms begin.
Here, where the moors stretch free
In the high blue afternoon,
Are the marching sun and talking sea,
And the racing winds that wheel and flee
On the flying heels of June.

Jill-o'er-the-ground is purple blue,
Blue is the quaker-maid,
The wild geranium holds its dew
Long in the boulder's shade.
Wax-red hangs the cup
From the huckleberry boughs,

(Nonasyllabics)

In retrospect the tragic nature
of sea is a taste wept too daily,
too depleted by freedom's rupture;
the eyes have other secrets to see

and deeper use for the detritus
within us: the bright effluvium
of ego dries up, mired as it is
in wealth, that remedial medium.

Blame it on fate, on beach memories--
pebble put in the pocket or shell
fragments; any memento carries
us as much as we it. Time capsule

contains every evening's interval.

If thou in the dear love of some one Friend
Hast been so happy that thou know'st what thoughts
Will sometimes in the happiness of love
Make the heart sink, then wilt thou reverence
This quiet spot; and, Stranger! not unmoved
Wilt thou behold this shapeless heap of stones,
The desolate ruins of St. Herbert's Cell.
Here stood his threshold; here was spread the roof
That sheltered him, a self-secluded Man,
After long exercise in social cares
And offices humane, intent to adore
The Deity, with undistracted mind,

Siwashing It Out Once in Suislaw Forest

I slept under rhododendron
All nightblossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deepin my pockets
Barelyableto sleep.
I rememberedwhen we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen
Now our friends are married
You teachschool back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open

A dead starfish on a beach
He has five branches
Representing the five senses
Representing the jokes we did not tell each other
Call the earth flat
Call other people human
But let this creature lie
Flat upon our senses
Like a love
Prefigured in the sea
That died.
And went to water
All the oceans
Of emotion. All the oceans of emotion
are full of such ffish
Why
Is this dead one of such importance?

On silver sand where ripples curled
I counted sea-gulls seven;
Shy, secret screened from all the world,
And innocent as heaven.
They did not of my nearness know,
For dawn was barely bright,
And they were still, like spots of snow
In that pale, pearly light.
II
Then one went forth unto the sea
That rippled up in gold,
And there were rubies flashing free
From out its wing-unfold;
It ducked and dived in pretty play,
The while the other six
So gravely sat it seemed that they