children

Where the foremost flag was flying,
Pierce'd by manny a shot and shell,
Where the bravest men were dying,
There our gallant captain fell.
"Boys! you follow now another;
Follow till the foe shall yield;"
Then he whisper'd, "Tell my mother
Stephen died upon the field."
"Mother!"
"Moth er!"
"Stephen died upon the field."

Through the battle they bore him,
But his words were growing wild;
Heeding not the scenes before him,
Stephen was once more a child.
"Ah, she comes! there is no other

Our Bog is dood, our Bog is dood,
They lisped in accents mild,
But when I asked them to explain
They grew a little wild.
How do you know your Bog is dood
My darling little child?
We know because we wish it so
That is enough, they cried,
And straight within each infant eye
Stood up the flame of pride,
And if you do not think it so
You shall be crucified.
Then tell me, darling little ones,
What's dood, suppose Bog is?
Just what we think, the answer came,
Just what we think it is.

"Little child of my five senses
and of my tenderness."
Let us cradle our loves,
We will have good children.
Well cared for,
We will fear nothing on earth,
Happiness, good fortune, prudence,
Our loves

And this leap from age to age,
From the order of a child to that of an old man,
Will not diminish us.
(Confidence).

I.
FRIENDS of faces unknown and a land
Unvisited over the sea,
Who tell me how lonely you stand
With a single gold curl in the hand
Held up to be looked at by me, --


II.
While you ask me to ponder and say
What a father and mother can do,
With the bright fellow-locks put away
Out of reach, beyond kiss, in the clay
Where the violets press nearer than you.


III.
Shall I speak like a poet, or run
Into weak woman's tears for relief ?

Mrs. Gabrielle Giovannitti comes along Peoria Street
every morning at nine o'clock
With kindling wood piled on top of her head, her eyes
looking straight ahead to find the way for her old feet.
Her daughter-in-law, Mrs. Pietro Giovannitti, whose
husband was killed in a tunnel explosion through
the negligence of a fellow-servant,
Works ten hours a day, sometimes twelve, picking onions
for Jasper on the Bowmanville road.
She takes a street car at half-past five in the morning,
Mrs. Pietro Giovannitti does,

We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;

(Lord Dufferin to Lord Lansdowne)


So here's your Empire. No more wine, then?
Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife --
He keeps the Name Book, talks in English too,
And almost thinks himself the Government.)
O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work
And power to back the working. Ay def mi!
You want to know, you want to see, to touch,
And, by your lights, to act. It's natural.

296

One Year ago—jots what?
God—spell the word! I—can't—
Was't Grace? Not that—
Was't Glory? That—will do—
Spell slower—Glory—

Such Anniversary shall be—
Sometimes—not often—in Eternity—
When farther Parted, than the Common Woe—
Look—feed upon each other's faces—so—
In doubtful meal, if it be possible
Their Banquet's true—

I tasted—careless—then—
I did not know the Wine
Came once a World—Did you?
Oh, had you told me so—
This Thirst would blister—easier—now—

IN Ortygia the Dawn land the old gods dwell,
And the silver’s yet a-quiver on the old wizard well
By the milk-white walls of the Temple of the Moon,
Where the Dawn Maids hallow the red gods’ tune,
And old grey Time is a nine-year child,
Back between the rivers ere man was ever ’guiled,
Or the knelling ‘Never, never!’ by the cherubim was rung.
It was there, there, there, in Ortygia the young,—
It was there, there, there, in the meadows of the sky

WHEN Orpheus with his wind-swift fingers
Ripples the strings that gleam like rain,
The wheeling birds fly up and sing,
Hither, thither echoing;
There is a crackling of dry twigs,
A sweeping of leaves along the ground,
Fawny faces and dumb eyes
Peer through the fluttering screens
That mask ferocious teeth and claws
Now tranquil.
As the music sighs up the hill-side,
The young ones hear,
Come skipping, ambling, rolling down,
Their soft ears flapping as they run,